During the course of this exciting tape you'll be joining BKS's Roger Raglin on a journey that will take you step by step through the life of a buck whitetail deer. You'll get to view some tremendous and unique big buck rutting footage as well as a whole slew of all new action packed hunting sequences that contain some of the best 'knock down' rifle and shotgun kill scenes ever recorded on a single tape - 7 in all. Along with outstanding big buck footage and kill scenes for your enjoyment, "The RUT" brings out the best in Roger as he zeros in on the important how's, when's, where's, and why's that are guaranteed to help you become a more successful whitetail deer buck hunter this coming fall. This full 100 minute featured video will forever change the way you think and approach the single most important phrase of you whitetail hunting season.

William Wharton's autobiographical novel of World War II becomes a moving portrait of war's madness in the microcosm of a small intelligence patrol on the German front in 1944. The unit, composed of high IQ soldiers, is sent to scout ahead. They discover a small platoon of Germans hiding in the forest, but these soldiers would rather fight with snowballs than guns and exchange Christmas presents instead of mortar fire. The young, rather unsoldierly Americans are offered the opportunity to "capture" the Germans without a fight-until a fatal misunderstanding plunges their efforts into tragedy. Director Keith Gordon, who also penned the screenplay, creates an unusually eloquent, offbeat platoon drama shot amidst the tranquil beauty of a snow-covered forest. His excellent cast includes future stars Ethan Hawke and Gary Sinise, with Frank Whaley, Kevin Dillon, Arye Gross, and Peter Berg rounding out the platoon. Though little seen upon its 1992 release, this moving drama received high praise for its vivid characters and delicately wrought imagery and remains one of the most powerful pacifist dramas of the post-war era. -Sean Axmaker.

The lightest of the first three films, Lethal Weapon 3 finds everyone occupying comfortable positions like students who always choose to sit in the same classroom seats. Mel Gibson and Danny Glover return as LAPD partners whose working method consists of the former diving into danger and the latter holding back. (The sequence set in the parking garage of a building, in which Gibson inadvertently trips a switch that makes a timed explosive device speed up, is priceless. ) Joe Pesci once again plays a motor-mouth pest, and while the story is pretty much forgettable, it does introduce the best new dynamic in the series, a romance between Gibson and Rene Russo's equally tough but attractive cop. -Tom Keogh.

Groundbreaking environmental-espionage shocker Edge of Darkness (1985) begins routinely enough but then ratchets the suspense to levels that would have turned Hitchcock himself green with envy. Emma Craven (Joanne Whalley in her first staring role) is a young environmental activist killed in mysterious circumstances. Emma's father Ron Craven (Bob Peck in a star-making performance) will not be silenced and, as a police detective, is uniquely positioned to pursue his own unofficial investigation. He moves from grief to a determination to find the truth, all the while advised and/or comforted by Emma, but is she a ghost or a manifestation of his haunted psyche? Craven digs deeper, uncovering labyrinthine conspiracy in the nuclear industry and, as the body count rises, encounters the garrulous CIA agent Darius Jedburgh (a superb Joe Don Baker) with a mysterious agenda of his own. Accompanied by a haunting musical score by Michael Kamen and Eric Clapton, Edge of Darkness builds on the legacy of Tinker Tailor, Soldier, Spy and Smiley's People to become quite simply the best television thriller ever. -Gary S. Dalkin.

This action-packed chase film is ranked with Hitchcock's great British thrillers. When an ex-spy takes a low-profile job in the country, he finds that dangerous work continues to pursue him. He becomes embroiled in a murder mystery and goes "underground" with a beautiful suspect. The fugitives stay one step ahead of the police until the breathless climax.

This pair of Joe Solomon-produced biker dramas are two of the better examples of the '60s subgenre. Jack Nicholson stars in Hell's Angels on Wheels as a moody cycle-riding gas station attendant adopted by Adam Roarke's gang when he jumps into a friendly bar fight. It's a fairly blatant rip-off of Roger Corman's The Wild Angels, but director Richard Rush (who next teamed up with Nicholson for the counterculture classic Psych-Out) offers up a lifestyle that's less nihilistic than simply meaningless and winds the unlikely friendship between restless Nicholson and rootless Roarke into an inevitable clash over basic philosophical differences (namely, Jack wants Adam's girl, and Adam wants Jack to kowtow to his leadership). William Smith is an unusual hero in Run Angel Run: he's a sellout on the run from vengeful biker clubs up and down the coast. Director Jack Starrett, a former actor in biker movies himself (Hell's Angels on Wheels, among others), creates a taut little picture highlighted by impressive stunts (Smith jumps onto the flat car of a moving train). Smith's brooding, taciturn performance mellows when he takes a job on a rural sheep farm and connects with a career farmer who used to be a barnstorming biker in the 1950s. "I gotta be free man, I gotta fly," confesses Angel, but at what price? Both pictures were cheaply made for quick playoff, but there's an interesting attempt to explore the tension between the thrill of the road and the hollow activity passing for freedom. The set comes in a cool-looking 8 by 12 tin storage container, but the tapes do not have separate video sleeves. -Sean Axmaker.

Distributed by MCA Distributing, Corp. On the eve of World War 2, an evil Japanese businessman enlists special agent "The Hungry Tiger" to lead a private army of kung fu warriors into battle against China. Includes bonus self defense tips from Martial Art expert Ron Van Clief.

Ethan Hawke, fresh faced and full of determination, tackles the icy wilds and rowdy boom towns of Alaska in Disney's 1991 adaptation of Jack London's turn-of-the-century gold rush classic. Though somewhat tamed for young audiences, the story of a city kid who befriends a feral half-wolf/half-dog orphan while learning to survive the dangers of nature and man has its share of peril and rousing scenes of wilderness adventure. But the humans are upstaged by both the animals (the standoff between White Fang and a wild brown bear is a highlight) and the Alaskan landscape, from the snow-covered mountains and frozen lakes of winter to the rich green forests and whitecap rivers of summer. The scenes of dogfights and wild wolves hunting game are carefully shot to avoid bloodshed (the opening disclaimer takes pains to remind viewers that all such scenes have been simulated), but they may still be too intense for young children. Recommended for 9 and up. -Sean Axmaker.