Winner of four Academy Awards including best picture, director, screenplay, and music, this 1963 adaptation of Henry Fielding's classic novel is a rousing, bawdy comedy about a young man's ribald adventures in 18th-century England. Albert Finney is splendidly hilarious in the title role of a charming womanizer who was discovered as an abandoned infant in the bed of Squire Allworthy, a wealthy landowner who named the child Tom Jones and raised him as his own. As a young man, Tom yearns for the comely daughter (Susannah York) of a neighboring squire, but his amorous adventures (including an extended food orgy that becomes the film's funniest scene) lead him to London and to a duel with a jealous husband. He's sentenced to hang, but fate intervenes. A hit around the world, the film was expertly written by noted playwright John Osborne, and director Tony Richardson uses a variety of old-style movie techniques to heighten the lusty, good-natured fun. Don't miss this one! -Jeff Shannon.

A clairvoyant police detective must stop the most notorious serial killer in history - Jack the Ripper - before it's too late! Johnny Depp and Heather Graham star in this "engrossing, stylish thriller" (People) that "grips tighter than a chokehold and cut as deep as a knife" (Washington Post) Heavy on atmosphere and light on everything else, From Hell is visually impressive while lacking the depth of the acclaimed graphic novel it's based upon. Making their third feature since 1993's Menace II Society, twins Allen and Albert Hughes approach the Jack the Ripper case with physical precision, re-creating the gritty Whitechapel district of 1888 London in meticulous detail. What they've forgotten is the sheer terror that gripped Whitechapel in the wake of the Ripper's slaying of five prostitutes, investigated here by a Scotland Yard sleuth (Johnny Depp) who uses opium, laudanum, and absinthe to fuel his semiprescient visions of the slayings. Heather Graham attempts a slippery Cockney accent as a would-be victim, while Ian Holm steals the show as a has-been surgeon with devilish delusions of grandeur. Violence is obliquely suggested or briefly graphic, but no matter how you cut it, From Hell is only marginally thrilling as it treads familiar territory. -Jeff Shannon.

While it lacks the baroque, fantastical quality of the previous Flash Gordon serials (which also starred Buster Crabbe), the Buck Rogers serial still exemplifies the freewheeling spirit of pulp-magazine space opera of the 1930s. Crash-landing in the Arctic in the 20th century, Buck Rogers and his sidekick Buddy Wade (Jackie Moran) use a special gas to induce suspended animation, only to be awakened 500 years later when the world is ruled by the evil Killer Kane. We are told that Kane's ascendancy is a direct result of the 20th century's failure to solve the problem of crime. But luckily, Buck Rogers is here to fight Kane's evil domination of mankind, which involves making obedient robots out of folks by strapping an "amnesia helmet" on their heads. (The helmet looks like the sawed-off end of a cheesy rocket ship, complete with fins. ) Most of the episodes deal with invasion forces from the planet Saturn and whose side they're going to take, Killer Kane's or Buck's, affording plenty of opportunity for spaceships to zip back and forth, propelled by sparks and rising smoke. All the trappings and tropes of space opera abound: ray guns, space travel, villainous political figures, alien civilizations. In a way, the flaws seem quaint-the wooden acting, the cheesy costumes and sets, the flimsy space crafts, the similarity between the surface of Saturn and certain California deserts, and the way Buck needs no learning curve after traveling 500 years into the future. It's great adolescent fun. -Jim Gay.

Martial Arts

While Heero and Quatre wage their battles on the ground, the other Gundam pilots remain in space. Duo must take the offensive while piloting an incomplete Gundam Deathscythe into battle. Back on Earth, Zechs continues his crusade to destroy the Romefeller's Mobile Dolls. The Treize Faction faces near destruction at the hands of the Romefeller Foundation, while Heero must head alone towards the battlefield and with him, the destructive power of a new Gundami is unleashed.