This 1990 feature from anime legend Go Nagai, creator of Devilman and Cutey Honey among other animated series, is a spirited if uninspired mix of Ninja warrior swordplay, modern yakuza gangster gunplay, and anime-style demons. The mysterious Ninja Dragon is a vaguely supernatural warrior sworn to defend the Nindo clan. He dedicates his sword to Shinobu, the schoolgirl daughter of a yakuza lord, and just in time. Upstart gangster Ranjuji, a hulking thug with demonic eyes, massacres the heads of rival criminal families and kidnaps young Shinobu for his bride. There's plenty of flashy swordplay and bloody violence (blood spurting from wounds like a waterfall, limbs ripped from bodies, and a man's face ripped from his head like a banana peel), and the massive battle between the Ninja Dragon's trio and Shinobu's army makes up for sloppy technique with vigorous choreography and a rush of activity. Apart from a few sidelines for unnecessary exposition and a ridiculous contest that turns Ninja warriors into World Wrestling Federation wrasslin' chicks, Nagai keeps this silly, simplistic Japanese comic book B movie zipping along with gusto. It won't leave much of an impression, but it's a fun 70 minutes of brainless action. -Sean Axmaker.

Director David Lean's masterful 1957 realization of Pierre Boulle's novel remains a benchmark for war films, and a deeply absorbing movie by any standard-like most of Lean's canon, The Bridge on the River Kwai achieves a richness in theme, narrative, and characterization that transcends genre. The story centers on a Japanese prison camp isolated deep in the jungles of Southeast Asia, where the remorseless Colonel Saito (Sessue Hayakawa) has been charged with building a vitally important railway bridge. His clash of wills with a British prisoner, the charismatic Colonel Nicholson (Alec Guinness), escalates into a duel of honor, Nicholson defying his captor's demands to win concessions for his troops. How the two officers reach a compromise, and Nicholson becomes obsessed with building that bridge, provides the story's thematic spine; the parallel movement of a team of commandos dispatched to stop the project, led by a British major (Jack Hawkins) and guided by an American escapee (William Holden), supplies the story's suspense and forward momentum. Shot on location in Sri Lanka, Kwai moves with a careful, even deliberate pace that survivors of latter-day, high-concept blockbusters might find lulling-Lean doesn't pander to attention deficit disorders with an explosion every 15 minutes. Instead, he guides us toward the intersection of the two plots, accruing remarkable character details through extraordinary performances. Hayakawa's cruel camp commander is gradually revealed as a victim of his own sense of honor, Holden's callow opportunist proves heroic without softening his nihilistic edge, and Guinness (who won a Best Actor Oscar, one of the production's seven wins) disappears as only he can into Nicholson's brittle, duty-driven, delusional psychosis. His final glimpse of self-knowledge remains an astonishing moment-story, character, and image coalescing with explosive impact. Like Lean's Lawrence of Arabia, The Bridge on the River Kwai has been beautifully restored and released in a highly recommended widescreen version that preserves its original aspect ratio. -Sam Sutherland Director David Lean's masterful 1957 realization of Pierre Boulle's novel remains a benchmark for war films, and a deeply absorbing movie by any standard-like most of Lean's canon, The Bridge on the River Kwai achieves a richness in theme, narrative, and characterization that transcends genre. [+]

The exploration of these hidden Chin Na techniques return to Taiji its lost martial essence.

Better known in the United States as Five Fingers of Death, this spectacular mix of martial arts action and Western-style melodrama from the legendary Shaw Brothers Studios helped to light the fuse for the kung fu movie explosion in the early '70s. Indonesian actor Lo Lieh is the young acolyte caught up in a struggle between rival martial arts schools; after one villainous outfit murders several of Lieh's classmates with the help of hired killers, he trains to develop the invincible "Iron Palm" technique and defeat the opposing school. Korean director Chang-hwa Jeong delivers stunning (and very violent) action set pieces (set to a dizzying array of American library music cues, most notably Quincy Jones' theme to Ironside) but also manages to create a compelling and dramatic sub-story about loyalty and honor. The result is a martial arts film that can be enjoyed by viewers who aren't fanatical about the genre and diehard kung fu heads alike. The widescreen DVD (which surpasses all previous VHS and DVD versions of the film) includes an interesting commentary track by Quentin Tarantino (who aided Dragon Dynasty in assembling its Shaw Brothers library) and critics Elvis Mitchell and David Chute, who discuss King Boxer's appeal and thematic similarities to Hollywood product; Chute is also featured with critic Andy Klein in one of three short supplements about the film's production and history, with director Jeong and martial arts choreographer Liu Chia-Liang taking center stage for the others. - Paul Gaita.

Three troubled lives, two desperate lovers, one inescapable fate. Russell Crowe (Gladiator) stars in an action-packed, suspense thriller that skirts the fine line between love, loyalty and deadly obsession. While honeymooning in Australia, Midori (Youki Kudoh) deserts her husband to run off with her lover. When he gets cold feet, she's left alone and bewildered in a strange country. A trip to the bank to exchange money results in her being taken hostage, only to be saved by Colin (Crowe), the getaway driver. On the run, Midori's jilted husband and the authorities in hot pursuit, the pair set off on a wild ride across the country, falling in love along the way.

Ice Cube cowrote, produced, and stars in this action caper. Bucum (Cube) is a bounty hunter (get it?) with dreams of big money. Reggie (Mike Epps) is a small-time grifter who also has dreams of big money and is at the top of Bucum's list to boot. Yep, you guessed it: tough guy/funny guy buddy flick. All About the Benjamins is pretty much a by-the-numbers piece of work. There's plenty of macho posturing, gunfire, big-ticket items exploding, and curse words inserted into the script in lieu of actual punch lines. The plot has holes big enough to drive a locomotive through, but then again the plot isn't really the point. Epps's attempts at wacky comedy wear thin early on, but Ice Cube does a fine job, and together they do make quite a few moments hit. Best recommended for when you want turn-your-brain-off excitement. -Ali Davis Ice Cube and Mike Epps are the driving force of this high style, high impact, action/comedy. [+]