Volunteers from all branches of the Allied forces made up the Australian 2 Special Force Unit, which carried out a total of 284 missions during World War II. Tight, suspenseful Attack Force Z effectively dramatizes one such sortie. Five tough commandos attempt to rescue the survivors of a downed American plane on a Japanese-held island in the southwest Pacific. Their leader is Captain P. G. Kelly, played by a youthful Mel Gibson. It's Kelly's first time in charge, and his fellow commandos, especially renegade Lieutenant J. A. Veitch (John Phillip Law, the cute Soviet sailor in The Russians Are Coming! The Russians Are Coming!), won't let him forget it. Kelly and Veitch's conflict raises both the mission's and the movie's tension quotient. [+]

Set in the era when China was just beginning to establish relations with Europe, Once upon a Time in China 3 is a mixture of politics, intrigue, broad comedy, and kung fu action. Charismatic Jet Li stars once again as Wong Fei-hung, a legendary Chinese hero who is a doctor, a pacifist, and an amazingly skilled martial artist. Like many Hong Kong films, this movie has a woefully complicated plot: in summary, a kung fu competition not only sparks a bitter rivalry between different martial arts associations, it also becomes the linchpin in an assassination plot. But this leaves out Wong Fei-hung's increasingly romantic relationship with his aunt (played by Rosamund Kwan), the rehabilitation of one of the villain's henchmen, and the introduction of a steam engine to a Chinese factory, among other subplots! Once upon a Time in China 3 is not the strongest in the series-the subtitling is unusually clumsy, the editing is rough, the plot is confusing, and the melodrama is more crudely played than in the other films-but there's still a clear, raw authority to the storytelling that is a hallmark of director-producer Hark Tsui (Peking Opera Blues, Green Snake). Though it seems to have been made in a rush, Once upon a Time in China 3 will still reward devotees of Hong Kong films, and the frequent and wild fight scenes will appeal to action fans. -Bret Fetzer.

One of the very best films about the Civil War, this instant classic from 1989 is also one of the few films to depict the participation of African American soldiers in Civil War combat. Based in part on the books Lay This Laurel by Lincoln Kirstein and One Gallant Rush by Peter Burchard, the film also draws from the letters of Robert Gould Shaw (played by Matthew Broderick), the 25-year-old son of Boston abolitionists who volunteered to command the all-black 54th Regiment of the Massachusetts Volunteer Infantry. Their training and battle experience leads them to their final assault on Fort Wagner in South Carolina, where their heroic bravery turned bitter defeat into a symbolic victory that brought recognition to black soldiers and turned the tide of the war. With painstaking attention to historical detail and richness of character, the film boasts superior performances by Denzel Washington (who won the Oscar for Best Supporting Actor), Morgan Freeman, Cary Elwes, and Andre Braugher. Directed by Edward Zwick (cocreator of the TV series thirtysomething), this unforgettable drama is as important as Schindler's List in its treatment of a noble yet little-known episode of history. -Jeff Shannon One of the very best films about the Civil War, this instant classic from 1989 is also one of the few films to depict the participation of African American soldiers in Civil War combat. Based in part on the books Lay This Laurel by Lincoln Kirstein and One Gallant Rush by Peter Burchard, the film also draws from the letters of Robert Gould Shaw (played by Matthew Broderick), the 25-year-old son of Boston abolitionists who volunteered to command the all-black 54th Regiment of the Massachusetts Volunteer Infantry. Their training and battle experience leads them to their final assault on Fort Wagner in South Carolina, where their heroic bravery turned bitter defeat into a symbolic victory that brought recognition to black soldiers and turned the tide of the war. With painstaking attention to historical detail and richness of character, the film boasts superior performances by Denzel Washington (who won the Oscar for Best Supporting Actor), Morgan Freeman, Cary Elwes, and Andre Braugher. Directed by Edward Zwick (co-creator of the TV series thirtysomething), this unforgettable drama is as important as Schindler's List in its treatment of a noble yet little-known episode of history. [+]

These OAVs were among the first Japanese series released as such in the U. S. and are remembered fondly by fans. An early example of cyberpunk that borrows heavily from Blade Runner and Robocop, Bubblegum Crisis depicts the adventures of the female vigilante group the Knight Sabers. In form-fitting, high-heeled mecha suits, Sylia, Priss, Linna, and Nene fight the rogue cyborgs of the sinister Genom Corporation in MegaTokyo, 2032. Sylia's brother Mackie, and A. D. Cop Leon, Priss's long-suffering suitor, assist them. The first three episodes (1987) form a single continuity; "Revenge Road" (1988) depicts a battle between an embittered man and a motorcycle gang. "Moonlight Rambler" (1988) and "Red Eyes" (1989) pit the Saber Knights against vampire cyborgs prowling MegaTokyo. [+]

Jeremy Irons gives another superb and underrated performance in M Butterfly, an elegant adaptation of the Broadway hit by playwright David Henry Hwang. Irons plays a French diplomat in China in 1964 who falls in love with a star of the Beijing Opera, not realizing that the entrancing performer holds secrets that will ruin his life-that the singer is a spy for the Communist government is only the beginning of the diplomat's troubles. Though M Butterfly may seem like a departure for director David Cronenberg (best known for horror and science fiction flicks like The Fly and Scanners), the themes of desire and self-deception fit comfortably into his oeuvre, alongside his adaptations of difficult novels like Naked Lunch and Crash. M Butterfly, like the more popular movie The Crying Game, is a cunning examination of love and denial. Also featuring John Lone (The Last Emperor). -Bret Fetzer.

Chuck Norris fans will find Lone Wolf McQuade to be one of his best. Playing a rebellious Texas Ranger, Norris single-handedly wipes out an entire gang of horse thieves-and that's just the opening scene. From there the plot involves arms smuggling, McQuade's daughter being kidnapped, and a dwarf in an electric wheelchair. But the movie's real trump card is a face-off between Norris and David Carradine of the TV show Kung Fu, who plays a badass villain with a penchant for argyle sweaters (though truth be told, Norris's wardrobe is very 1980s as well). Barbara Carrera makes a suitable bad girl/love interest and science fiction fans will enjoy some familiar faces (Robert Beltran, who would later be part of Star Trek: Voyager, and William Sanderson, a supporting actor from Blade Runner). All in all, an action-packed romp with a reverent, almost mythological view of the Texas Rangers. -Bret Fetzer.

Since the original, and presumed REAL "Bizarre Cases of Death" Snuff Video was stolen from the vaults of the Secret Police and all those involved in it's production have mysteriously disappeared, the official police and government stance is: "REAL SNUFF FILMS DO NOT EXIST". However, there are those that believe this is far from the truth. After viewing this newly discovered video YOU decide what is true. Are Snuff Films REAL?. [+]

Forever embroiled in controversy, Midnight Express divides viewers into opposing camps: those who think it's one of the most intense real-life dramas ever made, and those who abhor its manipulative tactics and alteration of facts for the exploitative purpose of achieving a desired effect. That effect is powerfully achieved, regardless of how you may feel about director Alan Parker and Oscar®-winning screenwriter Oliver Stone's interpretation of the story of Billy Hayes. It was the American Hayes-played by the late Brad Davis in an unforgettable performance-who was caught smuggling two kilograms of hashish while attempting to board a flight from Istanbul, Turkey, in 1970. He was sentenced to four years in a hellish Turkish prison on a drug possession charge, but his sentence was later extended (though not by 30 years, as the film suggests), and Hayes endured unthinkable brutality and torture before his escape in 1975. Unquestionably, this is a superbly crafted film, provoking a visceral response that's powerful enough to boil your blood. By the time Hayes erupts in an explosion of self-defensive violence, Parker and Stone have proven the power-and danger-of their skill. Their film is deeply manipulative, extremely xenophobic, and embellishes reality to heighten its calculated impact. Is that a crime? Not necessarily, and there's no doubt that Midnight Express is expertly directed and blessed with exceptional supporting performances (especially from John Hurt as a long-term prisoner). Still, it's obvious that strings are being pulled, and Parker, while applying his talent to a nefarious purpose, is a masterful puppeteer. -Jeff Shannon.

This enjoyable thriller, written and directed by Phil Alden Robinson (the screenwriter of Field of Dreams), follows a raggedy group of corporate security experts who get in over their heads when they accept an assignment poaching some hot hardware for the National Security Agency. Robert Redford plays the group's guru, an aging techno-anarchist who has been hiding from the feds since the early 1970s; his companionable gang of freaks includes Dan Aykroyd, David Strathairn, Mary McDonnell, the late River Phoenix, and Sidney Poitier, as a veteran CIA operative turned "sneaker. " The technological black box that everybody is after, an array of computer chips that can decode any encrypted message, isn't a very plausible invention, but it's a serviceable McGuffin, and the megalomania of the master plotter played by Ben Kingsley has more resonance than most. Modest inferences can be drawn about the very latest high-tech threats to civil liberties. -David Chute.

Tyrin Turner may not have broken out into stardom as was initially expected, but his work in Menace II Society is one of the more powerful cinematic debuts. The film, from the brother writer-director team of Allen and Albert Hughes, chronicles life in the Los Angeles 'hood. Similar territory was covered in the equally commanding Boyz N the Hood, but what makes this cautionary tale stand out is not only the Hughes brothers' forceful story, (written with their friend, Tyger Williams) and direction, but the naturalness of then-newcomer leads Turner as Caine, Larenz Tate as O-Dog, and Jada Pinkett as Ronnie. They are so credible-occasionally frighteningly so-that the repressive universe of violent ghetto life is captured effectively. Life as portrayed here-and no doubt accurately so-is both figuratively and literally narrow. As a very young boy, Caine witnesses his dad murdered over something inconsequential, and his mom OD. His is a world where respect comes from intimidation, power from violence. Despite his understanding of right and wrong (values passed on by a good friend, his kind grandparents, a caring teacher), his life and its entrapments are too much to overcome. -N. F. [+]