The 1985 series Tatakae Cho Robot Seimetai Transformers ("Fight Super Living Robots Transformers") was a U. S. -Japanese coproduction, written in America and animated in Japan. Based on a line of robot toys from Takara-licensed to Hasbro in America-that could be reconfigured into cars, trucks, planes, etc. , it spawned numerous sequels and a feature. Civil war rages on the planet Cybertron between the virtuous Autobots and the evil Decepticons. Both sides launch crews into space to find new energy sources, but the ships crash on Earth and are buried in lava. When the robots awaken four million years later, the Decepticons, led by the dictatorial Megatron, want to drain the planet of its resources, enslaving or destroying mankind. The Autobots ally with humanity and befriend oil-rig worker Spike Witwicky. The Saturday morning-style cheat of cutting to a logo, rather than animating transitions, and the frequent pauses for commercial breaks make for very choppy storytelling. [+]

In this video you will see a demonstration by Master Kanazawa performing one of his newly created katas and you will see first hand why he worldly acclaimed as karates most talented technical Japanese kartae master. There is also several matches from the 1996 ISKA World championships in Milan Italy as well as a spoectacular shotokan karate demonstration that is on the cutting edge and is extremely creative to say the least.

Batman Begins discards the previous four films in the series and recasts the Caped Crusader as a fearsome avenging angel. That's good news, because the series, which had gotten off to a rousing start under Tim Burton, had gradually dissolved into self-parody by 1997's Batman & Robin. As the title implies, Batman Begins tells the story anew, when Bruce Wayne (Christian Bale) flees Western civilization following the murder of his parents. He is taken in by a mysterious instructor named Ducard (Liam Neeson in another mentor role) and urged to become a ninja in the League of Shadows, but he instead returns to his native Gotham City resolved to end the mob rule that is strangling it. But are there forces even more sinister at hand? Co-written by the team of David S. Goyer (a veteran comic book writer) and director Christopher Nolan (Memento), Batman Begins is a welcome return to the grim and gritty version of the Dark Knight, owing a great debt to the graphic novels that preceded it. It doesn't have the razzle dazzle, or the mass appeal, of Spider-Man 2 (though the Batmobile is cool), and retelling the origin means it starts slowly, like most "first" superhero movies. But it's certainly the best Bat-film since Burton's original, and one of the best superhero movies of its time. Bale cuts a good figure as Batman, intense and dangerous but with some of the lightheartedness Michael Keaton brought to the character. Michael Caine provides much of the film's humor as the family butler, Alfred, and as the love interest, Katie Holmes (Dawson's Creek) is surprisingly believable in her first adult role. [+]

Kip Raines (Giovanni Ribisi) is a cocky young car thief working with a crew to steal 50 cars for a very bad man whose nickname is "The Carpenter. " Being young and cocky, Kip messes up, so it's up to his big brother, Randall "Memphis" Raines (Nicolas Cage), to come out of car thief retirement and save him. With a cast that includes Robert Duvall, Angelina Jolie, Delroy Lindo, Cage, and Ribisi, it would be easy to say this story wastes all their talents-which it does, but that's not the point. This is a Jerry Bruckheimer film. A good story and complex characters would only get in the way of the action scenes and slow the movie down. No, Gone in 60 Seconds (based on the cult 1974 film of the same name) is not about the stars as much as it's about cars. Fast cars. Rare cars. Wrecked cars. All cars. [+]

Following Val Kilmer's portrayal of the caped crusader in Batman Forever, the fourth Batman feature stars George Clooney under the pointy-eared cowl, with Chris O'Donnell returning as Robin the Boy Wonder. This time the dynamic duo is up against the nefarious Mr. Freeze (Arnold Schwarzenegger), who is bent on turning the world into an iceberg, and the slyly seductive but highly toxic Poison Ivy (Uma Thurman), who wants to eliminate all animal life and turn the Earth into a gigantic greenhouse. Alicia Silverstone lends a hand as Batgirl, and Elle McPherson plays the thankless role of Batman/Bruce Wayne's fiancée. A sensory assault of dazzling colors, senseless action, and lavish sets run amok, this Batman & Robin offers an overdose of eye candy, but it is strictly for devoted Bat-o-philes. -Jeff Shannon.

As superfluous remakes go, Flight of the Phoenix could've been better, and could've been worse. It's a passable popcorn adventure, especially for those unfamiliar with the 1965 original, which starred James Stewart, made headlines for the crash-landing death of stunt-pilot Paul Mantz, and now stands as a minor classic of its era. This flashy remake stars Dennis Quaid in Stewart's role, adds a woman to the list of plane-crash survivors, and showcases Giovanni Ribisi, who gives a cleverly eccentric performance as the model-airplane designer who proposes to rebuild a crashed cargo plane into a single-engine escape from certain death in the remote Gobi desert. Both films are essentially identical, but this remake is somehow less believable (due to shortcuts in a haphazardly written screenplay) and much more spectacular, owing to the advantage of impressive special effects. Otherwise it's a routine dose of survivalist entertainment from the director of Behind Enemy Lines, never convincing enough to be genuinely compelling, but certainly never boring. -Jeff Shannon.

A model for dozens of action films to follow, this box-office hit from 1967 refined a die-hard formula that has become overly familiar, but it's rarely been handled better than it was in this action-packed World War II thriller. Lee Marvin is perfectly cast as a down-but-not-out army major who is offered a shot at personal and professional redemption. If he can successfully train and discipline a squad of army rejects, misfits, killers, prisoners, and psychopaths into a first-rate unit of specialized soldiers, they'll earn a second chance to make up for their woeful misdeeds. Of course, there's a catch: to obtain their pardons, Marvin's band of badmen must agree to a suicide mission that will parachute them into the danger zone of Nazi-occupied France. It's a hazardous path to glory, but the men have no other choice than to accept and regain their lost honor. What makes The Dirty Dozen special is its phenomenal cast including Charles Bronson, Donald Sutherland, Telly Savalas, George Kennedy, Ernest Borgnine, John Cassavetes, Richard Jaeckel, Jim Brown, Clint Walker, Trini Lopez, Robert Ryan, and others. Cassavetes is the Oscar-nominated standout as one of Marvin's most rebellious yet heroic men, but it's the whole ensemble-combined with the hard-as-nails direction of Robert Aldrich-that makes this such a high-velocity crowd pleaser. The script by Nunnally Johnson and Lukas Heller (from the novel by E. M. Nathanson) is strong enough to support the all-star lineup with ample humor and military grit, so if you're in need of a mainline jolt of testosterone, The Dirty Dozen is the movie for you. [+]