Bronson and Mason play a high stakes game of cat and mouse. and only one man can walk away the winner. A brutal drug trader takes his violent revenge after his wife is captured by a drug boss.

This video collection contains The Batman movie starring Michael Keaton of 1989, Batman forever starring Val Kilmer of 1995, and Batman & Robin starring George Clooney of 1997.

As with Star Wars, the George Lucas-produced Indiana Jones trilogy was not just a plaything for kids but an act of nostalgic affection toward a lost phenomenon: the cliffhanging movie serials of the past. Episodic in structure and with fate hanging in the balance about every 10 minutes, the Jones features tapped into Lucas's extremely profitable Star Wars formula of modernizing the look and feel of an old, but popular, story model. Steven Spielberg directed all three films, which are set in the late 1930s and early '40s: the comic book-like Raiders of the Lost Ark, the spooky, Gunga Din-inspired Indiana Jones and the Temple of Doom, and the cautious but entertaining Indiana Jones and the Last Crusade. Fans and critics disagree over the order of preference, some even finding the middle movie nearly repugnant in its violence. (Pro-Temple of Doom people, on the other hand, believe that film to be the most disarmingly creative and emotionally effective of the trio. ) One thing's for sure: Harrison Ford's swaggering, two-fisted, self-effacing performance worked like a charm, and the art of cracking bullwhips was probably never quite the iconic activity it soon became after Raiders. Supporting players and costars were very much a part of the series, too-Karen Allen, Sean Connery (as Indy's dad), Kate Capshaw, Ke Huy Quan, Amrish Puri, Denholm Elliot, River Phoenix, and John Rhys-Davies among them. Years have passed since the last film (another is supposedly in the works), but emerging film buffs can have the same fun their predecessors did picking out numerous references to Hollywood classics and B-movies of the past. -Tom Keogh.

In between the Hollywood productions Rush Hour and Shanghai Noon, Hong Kong's most popular export, Jackie Chan, returned home to indulge his romantic side in this modern fairy tale. He plays a modern Prince Charming, a big business mogul and notoriously eligible big-city bachelor to dreamy teenager Shu Qi, a girl from a Taiwan fishing village. When a heartbreaking message in a bottle washes ashore, she traces it back to Hong Kong, where she meets Jackie in the midst of a mid-ocean brawl on a luxury yacht. Hong Kong heartthrob Tony Leung has a grand time spoofing his image, playing a gay fashion photographer who "adopts" Shu Qi and helps her woo her handsome dream lover. It's a pleasant change to see 40-plus Jackie discard his usual goofy lovesick fool to play a suave swinger, but next to giggly teen Shu Qi, who proves to be a spunky and winning actress, he seems a little too mature. There are still plenty of opportunities to see Jackie in acrobatic action with a subplot involving a boyhood friend turned shady business rival, but at heart it's a sweet, silly little love song full of unabashed romantic imagery, elegant art design, snazzy fashions, and a gooey happy ending. Jackie doesn't provide his own voice in the English dubbed edition, which makes a minor dent in his charm but does little to affect the film as a whole. -Sean Axmaker.