There are hundreds of thousands of companies in modern Tokyo, but only one Phantom Quest Corporation, a firm that specializes in exorcisms and troublesome spirits. Its founder and CEO is Ayaka Kisaragi, a red-haired klutz whose lipstick turns into an enchanted sword when she needs to dispatch vampires, demons, or ghosts. She's assisted by the exorcist Rokkon, the medium Madame Suimei, the innocent-looking Nanami, and Mamoru, a long-suffering computer whiz who tries to reconcile Ayaka's profligate spending with her limited income. The tone of Phantom Quest suggests Ghostbusters remade for Bette Midler-Ayaka drinks too much, oversleeps, and murders songs in karaoke settings, but she comes through in the end. Her tongue-in-cheek adventures juxtapose supernatural villains with slapstick comedy, much of it involving her put-upon beau, Detective Karino. In "Kiss of Fire," they defeat Count Dracula (whose coffin has been purchased as a novelty by a Japanese businessman) but trash Tokyo Tower in the process. The most satisfying of the four adventures is "Love Me Tender," in which the ghost of an archeologist tries to protect his former fiancée from beyond the grave. Possible sequels are hinted at in the DVD extras. Rated 13 and up for nudity, violence, sexual situations, and occasional profanity. -Charles Solomon.

Magic Knight Rayearth continues. Hikaru, Umi, and Fuu are finally able to leave Cephiro, after they had killed the very person they were sent to rescue. Filled with regret, they returned to Tokyo. Now, the girls are summoned back to Cephiro by an unknown force, and must find a new Pillar before Cephiro disintegrates!.

Japan faces the expensive problems of caring for an aging population. As a solution, Mr. Terada, an official in a mysterious government ministry, unveils the Z-001, a high-tech bed that cares for an invalid's every need. His chosen guinea pig of a patient is Mr. Takazawa, an aged man in the care of Haruko, a pretty young nurse. Haruko realizes that the machine can't attend to Mr. Takazawa's emotional needs and tries to rescue him. When Terada foils her efforts, she turns to a group of elderly patients-who turn out to be ace hackers. The complications pile up when an unscrupulous member of Terada's staff reveals that the Z-001 is actually a prototype battle robot. But once Haruko's aged hackers gain control of it, the Z-001 takes on the personality of Mr. [+]

From the moment that Prince Eric's ship emerged from the fog in the opening credits it was apparent that Disney had somehow, suddenly recaptured that "magic" that had been dormant for thirty years. In the tale of a headstrong young mermaid who yearns to "spend a day, warm on the sand," Ariel trades her voice to Ursula, the Sea Witch (classically voiced by Pat Carroll), for a pair of legs. Ariel can only succeed if she receives true love's kiss in a few day's time and she needs all the help she can from a singing crab named Sebastian, a loudmouth seagull, and a flounder. The lyrics and music by Howard Ashman and Alan Menken are top form: witty and relevant, and they advance the story (go on, hum a few bars of "Under the Sea"). Mermaid put animation back on the studio's "to do" list and was responsible for ushering Beauty and the Beast to theaters. A modern Disney classic. -Keith Simanton From the moment that Prince Eric's ship emerged from the fog in the opening credits it was apparent that Disney had somehow, suddenly recaptured that "magic" that had been dormant for thirty years. In the tale of a headstrong young mermaid who yearns to "spend a day, warm on the sand," Ariel trades her voice to Ursula, the Sea Witch (classically voiced by Pat Carroll), for a pair of legs. Ariel can only succeed if she receives true love's kiss in a few day's time and she needs all the help she can from a singing crab named Sebastian, a loudmouth seagull, and a flounder. The lyrics and music by Howard Ashman and Alan Menken are top form: witty and relevant, and they advance the story (go on, hum a few bars of "Under the Sea"). [+]

This half-hour Christmas show is one of the truly lovable animated specials in TV history, a status proved by its annual network telecast since 1965. A Charlie Brown Christmas was the first, and best, of a series of programs based on the Charles M. Schulz cartoon strip "Peanuts. " Hapless hero Charlie Brown finds himself depressed at Christmastime, searching for the true meaning of the holiday amidst the glitz and commercialism of the modern age. Appointed director of the school holiday pageant, Charlie Brown ventures out with Linus to buy "a great, big, shiny aluminum Christmas tree. " Instead they bring back a miserable tree-a real one. A Charlie Brown Christmas shows off the "Peanuts" gang doing what they do best: Lucy is bossy, Snoopy is crazy, Linus is sweet, and Pig Pen is, well, filthy. Instead of using adult actors trying to sound like kids, the production features real children providing the voices, an endearing effect. The jazz music score, composed by Vince Guaraldi, has become a classic in its own right; like so much about this program, it's an unexpected but perfectly right choice. -Robert Horton.

Masters of Russian Animation Volume 1: Film Film Film by Fyodor Khitruk (20min) Girlfriend by Yelena Gavrilko (10 min) Hunt by Eduard Nazarov (10 min) Ballerina on the Boat by Lev Atamanov (17 min) Masters of Russian Animation Volume 2: Island by Fyodor Khitruk (9. 30 min) Singing Teacher by Anatoly Petrov. (3 min) Last Hunt by Valentine Karavayev (10 min) Old Stair by Alexander Gorlenko (7 min) Liberated Don Quixote by Vadim Kurchevsky (18 min) Masters of Russian Animation Volume 3: Contact by Vladimir Tarasov (10 min) Travels of an Ant by Eduard Nazarov (10 min) Cat & Company by Alexander Guriev (10 min) Tale of Tales by Yuri Norstein.

One of the brightest nuggets from Disney's golden age, this 1937 film is almost dizzying in its meticulous construction of an enchanted world, with scores of major and minor characters (including fauna and fowl), each with a distinct identity. When you watch Snow White's intricate, graceful movements of fingers, arms, and head all in one shot, it is not the technical brilliance of Disney's artists that leaps out at you, but the very spirit of her engaging, girl-woman character. When the wicked queen's poisoned apple turns from killer green to rose red, the effect of knowing something so beautiful can be so terrible is absolutely elemental, so pure it forces one to surrender to the horror of it. Based on the Grimm fairy tale, Snow White is probably the best family film ever to deal, in mythic terms, with the psychological foundation for growing up. It's a crowning achievement and should not be missed. -Tom Keogh.