The classic Mark Twain book The Adventures of Tom Sawyer is presented here as an animated video featuring the voices and music of country music stars Mark Wills, Lee Ann Womack, Rhett Akins, and Hank Williams Jr. Other famous voices include Betty White and Don Knotts. Twain's general plot is reproduced fairly faithfully: Tom falls in love with Becky, Tom and Huckleberry Finn witness a murder and later risk their lives to save the falsely accused Potter, and Tom and Huck eventually find Red Beard's buried treasure. Subtle elements have been changed for either political correctness or plot convenience: for instance, the name "Injun Joe" has been changed to "Injurin' Joe" and Becky has gained an antagonist father. A not so subtle change is the presentation of the characters as animals: Tom and Becky are cats, Huck is a fox, and Joe is a bear. The video is skillfully animated (much more so than the cover suggests) and the voice talent is excellent. Pop-country music lovers will love featured songs such as "You Can't Keep a Country Boy Down" and "There's a Light at the End of the Tunnel," although they seem more appropriate for adult audiences than the 5- to 12-year-olds this video is aimed at. All in all, this is an entertaining, accessible presentation of a classic story that kids will enjoy. -Tami Horiuchi.

Since the first chapters debuted as a direct-to-video release in 1990, this sprawling sword-and-sorcery epic has delighted fantasy fans with its ancient prophecies, lost kingdoms, enchanted swords, dragons, and wizards. The tangled story line borrows heavily from The Lord of the Rings, the Star Wars films, and numerous other fantasy works. Six mismatched characters find themselves thrown together to protect the land of Lodoss from imminent destruction: Parn is the impetuous young warrior with heroic potential who typifies the genre; in place of the usual spunky girl, there's Deedlit, an elf with magical powers. They're joined by Etoh, a young priest and healer; Ghim, a dwarf-warrior with a heavy heart; Slayn, a wizard in training; and the rascally thief Woodchuck. Their allies include the dashing lord of a desert realm, a mercenary and her Berserker companion, and a benevolent, Arthurian king. They're pitted against an array of villains that includes human warriors, an evil sorcerer, dragons, kobolds, zombies, and Karla, the mysterious "Gray Witch" [sic]. An elegant art nouveau sensibility runs through the designs of Lodoss War, especially the extravagant armor of the warriors. But the film lacks a coherent plot, probably the result of producing so much animation in a short time with multiple directors. Characters are forever dropping in and out of the story: the initial villain, the evil emperor Beld, is replaced by his henchman, Ashram, who is superseded by the dark sorcerer, Wagnard. The last three episodes build to a titanic climax that leaves a lot of plot points unresolved. [+]

The second theatrical film from the popular television show is better than the original surprise hit. Instead of delving into their rich fantasy life, the Rugrats gang goes on a real adventure when their families visit Paris together. Mr. Pickles is brought over to fix his giant Reptar robot, the centerpiece of EuroReptarland (a biting version of the trouble-plagued EuroDisney). The underlying story has Chuckie (the one with the square glasses) looking for a new mommy, as his dad (who has a square personality) starts to fall for a villainous executive (voiced by Susan Sarandon). Soon Paris takes it on the chin as the diaper gang tries to save Chuckie's dad from the altar. The success of the Rugrats is in the writing, where much thought goes into finding comic gems for the adults (there are wonderful parodies of The Godfather and King Kong that will sail over kids' heads). The garble-mouthed youngsters keep up their joyful ways in this 78-minute feature that feels no different from their Nickelodeon series except in length, some 3-D animation sequences, and an eclectic song score (with Cyndi Lauper's "I Want a Mom That Will Last Forever" the real catch). (Ages 6 and older) -Doug Thomas.

Will Nagisa's love be enough to bring Suoh back from the depths of amnesia? What will the Detectives find in their latest treasure hunt? What can the mysterious red-headed boy want from our trio? The pace speeds up with episodes 18-20, where biotechnology, the beauty of nature, and a time-bomb are the clues!

Horse lovers young and old will celebrate this utterly enjoyable and marvelous-looking animated film. The titular stallion runs free in the Cimarron (New Mexico) wilderness until a series of men try to master the proud horse, leading to adventures through a U. S. Cavalry fort, Native American settlements, and a railroad camp. Despite a heavy dose of political correctness and realism (the animals don't talk; we only hear Spirit's internal monologue, voiced by Matt Damon), directors Kelly Asbury and Lorna Cook give their hero many only-in-a-movie moments, including an action sequence rivaling any of Rambo's escapes. The stirring mix of 2-D and 3-D animation is absolutely stunning and aptly fueled by composer Hans Zimmer's synthesized score. The film earns one demerit for '80s rocker Bryan Adams's abundant songs-a different singer could have brought more to the film. Rated G but there is some rough treatment of horses shown, so nix the sensitive preschoolers. -Doug Thomas.

This six-part OAV (original animation video) begins as a freewheeling spoof of mecha adventures with plenty of slapstick comedy, robots of all types, a crazed villain, scantily clad babes, and a resident hunk. In the not-too-distant future, nerdy Hiroshi Ozora creates a power suit later dubbed "Moldiver" designed to make him into an invincible superhero with muscles like his best friend Misaki's. When Hiroshi's younger sister Mirai gets into his computer, she makes some changes: the Moldiver acquires curves, a miniskirt, stockings, and high heels. In her battles with the nefarious Dr. Machinegal and his army of robot women, Mirai proves an effective but destructive heroine, leaving a trail of ruined buildings and fallen roadways wherever she passes. No wonder Machinegal refers to her as "that leggy girl who breaks everything!" Unfortunately, the plot-and the fun-begin to fall apart in part 4, "Destruction," when Mirai and Hiroshi's brother Nozomu gets into the act and behaves like an obnoxious brat. Mirai has to fight three villains: Machinegal; his chief robot, Isabelle; and Nozomu as "Moldiver 3. " The last-minute romance between Mirai and Misaki feels forced, making you wish you'd stopped watching at the end of episode 3. Rated 13 and up: nudity, minor profanity, violence, and sexual and toilet humor. -Charles Solomon.

Disney's 1992 animated feature is a triumph of wit and skill. The high-tech artwork and graphics look great, the characters are strong, the familiar story is nicely augmented with an interesting villain (Jafar, voiced by Jonathan Freeman), and there's an incredible hook atop the whole thing: Robin Williams's frantically hilarious vocal performance as Aladdin's genie. Even if one isn't particularly moved by the love story between the title character (Scott Weinger) and his girlfriend Jasmine (Linda Larkin), you can easily get lost in Williams's improvisational energy and the equally entertaining performances of Freeman and Gilbert Gottfried (as Jafar's parrot). -Tom Keogh.

The folks at Pixar can do no wrong with Monsters, Inc. , the studio's fourth feature film, which stretches the computer animation format in terms of both technical complexity and emotional impact. The giant, blue-furred James P. "Sulley" Sullivan (wonderfully voiced by John Goodman) is a scare-monster extraordinaire in the hidden world of Monstropolis, where the scaring of kids is an imperative in order to keep the entire city running. Beyond the competition to be the best at the business, Sullivan and his assistant, the one-eyed Mike Wazowski (Billy Crystal), discover what happens when the real world interacts with theirs in the form of a 2-year-old baby girl dubbed "Boo," who accidentally sneaks into the monster world with Sulley one night. Director Pete Doctor and codirectors David Silverman and Lee Unkrich follow the Pixar (Toy Story) blueprint with an imaginative scenario, fun characters, and ace comic timing. By the last heart-tugging shot, kids may never look at monsters the same, nor artists at what computer animation can do in the hands of magicians. -Doug Thomas.