One of the essential documentary series from 20th-century television, Eyes on the Prize is an extraordinary, grassroots history of the civil rights movement in 1950s and '60s America. Leaving punditry and debate to others, this six-hour program concerns itself with the individuals who were there, who participated on the front lines, who witnessed and survived to tell about the crusade's tragedies and victories. Starting with a pair of mid-'50s heroic actions in the South that helped galvanize black and white activism against institutional racism (actions that included Rosa Parks's refusal to give up her bus seat to a white passenger in Montgomery, Alabama), the series winds its way through the exponential growth of the movement to the passage of the Voting Rights Act and beyond. The epochal battle between states-rights advocates and federal authorities is well-covered, as are the many sacrifices made and enormous risks taken by Mississippi Freedom Riders and advocates of black voter registration. Also in this boxed set is the series' sequel, Eyes on the Prize II: America at the Racial Crossroads 1965-mid 1980s. An equally stirring, eight-hour history of the post-civil-rights years, in which hard-won political power manifested itself both inside and outside elected government offices, this follow-up traces the fracturing of a unified civil rights community into numerous missions and agendas. Driven by interviews and archival footage, the series takes a clear look at such historical chapters as the rise of black separatism, the election of Carl Stokes to Cleveland's Office of the Mayor, and the turmoil of school desegregation. Both the original series and sequel are an absolute must for a contemporary understanding of racism in America. -Tom Keogh Eyes on the Prize, the most comprehensive television documentary on the American civil rights movement ever produced, includes rare film footage and incisive present-day interviews to bring the events of this period to life. Two events of the mid-'50s propel the movement into the headlines: the Mississippi lynching of 14-year-old Emmett Till, and the Montgomery, Alabama bus boycott, inspired by Rosa Parks' refusal to give up her seat to a white man. [+]

In 1995, the CIA admitted to sponsoring a super-secret government program called "STARGATE". For almost 20 years the government used "psychic spies" to remotely view people, places and events. Remote Viewing (RV) was the perfect intelligence tool, because it left no footprints and could access information independent of time and space. RV is similar to clairvoyance or ESP, and is a natural ability almost everyone possesses. The strict RV protocols were developed to isolate the imagination to allow a faint but pure information signal to flow through a person's mind. Since the RV program is no longer classified, we are able to present in this video series the top experts in the field of RV research and operations. Learn the history and the latest applications of this amazing field of "intuitive science", and discover for yourself how to develop and use your own RV skills. VOL. 1 REMOTE VIEWING: MARTIAL ART FOR THE MIND, PRESENTED BY GABRIELLE PETTINGELL VOL. 2 DEVELOPING SENSORY AWARENESS FOR FACILITATION OF REMOTE VIEWING, PRESENTED BY PATRICK MARSOLEK VOL. [+]

World famous soprano Joan Sutherland and her magical puppet friends present a series of opera highlights in programs designed for the whole family. A special pre-packaged set of all four is 240 minutes long and in color.

While this monumental retrospective of Oliver Stone's directorial career doesn't include Salvador or Platoon-Stone's early, acknowledged masterpieces of history and remembrance-it certainly sheds some light on the more controversial arc of his work ever since. Beginning with 1987's Wall Street, Stone's barbed tragedy about corporate raiders and blinding greed during the Reagan years, this cinematic six-pack represents a curious odyssey of generational touchstones, outright obsessions, and feverish experimentation. 1994's Natural Born Killers, for instance, is an explosive critique of inflamed media in a society of hapless onlookers. A wildly ambitious farce about two lovers who defy TV-manufactured perceptions by becoming notorious murderers, Killers pushes the limits of screen violence, visual literacy, and the mixed-media technique (juggling film stocks, incorporating video, etc. ) that Stone introduced in JFK. If the result is somewhat cold and forced, it's also brazen. Most significant is the way this collection underscores Stone's drive to fuse historical drama with lingering emotions about the past. Stone, a Vietnam War vet, revisits that haunting debacle here in the masterful Born on the Fourth of July. Yet some of his most famous efforts still draw heaps of scorn for narrative hubris and factual recklessness. (Does anyone really believe John F. [+]

The second of Youssef Chahine's autobiographical Alexandria Trilogy takes place largely in the mind of Chahine's cinematic alter ego, Yehia Mourad (Nour El Cherif), or, to be more accurate, his torso. Rushed into emergency open-heart surgery after an on-set heart attack, Yehia is put through a fantasy trial in a courtroom situated in his rib cage (a rather theatrical-looking contraption of white sheets draped over wooden ribs) as he flashes back on his life. Chahine embraces the absurdity of the silly device with fanciful fun (his inner child rebels against the stodgy grownup by crawling through his veins and undoing the surgery) but it's the flashbacks that carry the film's power. Think of it as Chahine's All That Jazz, only less flashy and more thoughtful. The young director struggles within the industry, sacrificing his vision and his politics in commercial compromises, sacrificing his family for his art, still dreaming of Hollywood while toiling in the low-budget environs of Egypt. Fans of Chahine will recognize startling re-creations of two of his most famous films, Cairo Station and The Sparrow, but you don't need to know his work to feel the strain of his conflicts. Inspired by his real-life bypass surgery and the self reassessment it triggered, Chahine is more critical than you might expect; he forgives himself his sins, naturally, but never quite lets himself off the hook. Followed by Alexandria Again and Forever, which stars Chahine himself as Yehia. -Sean Axmaker.