"If this picture doesn't make you scream and squirm, you should see a psychiatrist-quick!" shouts the film's trailer. This time the hyperbole is right. David Cronenberg's debut feature, and Canada's first domestic horror film, is an ingeniously engineered slasher of thoroughly modern horror that, like George Romero's Night of the Living Dead, charts a social breakdown by tearing through our most intrinsic taboos. A genetically engineered designer parasite-part aphrodisiac, part venereal disease-created by a modern-day mad scientist escapes into a colorless, self-contained apartment complex and goes searching for hosts. This monstrous parasite multiplies and invades the alienated occupants, turning them into a pack of id-driven sex maniacs. Cronenberg's suffocating vision of modern life turns his budgetary limitations-dreary, bland sets, flat lighting, and numb performances-into a severe portrait of society out of touch with its physical and emotional existence. Cronenberg pushed the boundaries of gore in 1974, but more insidious is the way he pushes the boundaries of behavior: under the influence of this invasive disease, families turn to incest and murder, strangers sexually assault the helpless, and finally they band together as a pack of bloodthirsty, libido-driven animals. That taboo-breaking display still has the power to get under your skin. The film has also been released under the titles The Parasite Murders and They Came from Within. Cult horror icon Barbara Steele costars. [+]

During an unusual chapter in the career of director Akira Kurosawa (Rashomon), the filmmaker went to Russia because he found working in his native Japan to be too difficult. The result was this striking 1975 near-epic based on the turn-of-the-century autobiographical novels of a military explorer (Yuri Solomin) who met and befriended a Goldi man in Russia's unmapped forests. Kurosawa traces the evolution of a deep and abiding bond between the two men, one civilized in the usual sense, the other at home in the sub-zero Siberian woods. There's no question that Dersu Uzala (the film is named for the Goldi character, played by Maxim Munzuk) has the muscular, imaginative look of a large-canvas Soviet Mosfilm from the 1970s. But in its energy and insight it is absolutely Kurosawa, from its implicit fascination with the meeting of opposite worlds to certain moments of tranquility and visual splendor. But nothing looks like Kurosawa more than a magnificent action sequence in which the co-heroes fight against time and exhaustion to stay alive in a wicked snowstorm. For fans of the late legend, this is a Kurosawa not to be missed. -Tom Keogh.

Bruno Gunther is a feisty, 14-year-old immigrant, growing up in a small farming community in South Australia during the 1930s. While his stern German father preaches hard work, Bruno is constantly tempted by the chance to do mischief. Whether it is startling a prim teacher as he flees from a runaway bull clad only in his underwear or organizing a "race" between two feuding neighbours, Bruno's world is an idyllic one. His high spirits will sustain him as his close-knit family experiences some dark times - and the memories of this gentle world will remain with him forever. Parents and children alike will love this unforgettable tale that captures a special time when a boy hovers on the verge of manhood.