52 min. Computer engineered vid. to trks: The Hacker, Sound Mirror, Man-Amplified, more.

The primary appeal of dance movies is the dancing, with some added emphasis on the romance the art expresses. Center Stage wins on these counts, despite its reveling in overly familiar characters and formula plotting. Or maybe this reveling is responsible for what goofy fun this film is. The arduous task of becoming a professional ballet dancer is incarnated by many good-looking teens, all stock dance-film characters affectionately portrayed mostly by newcomers. But center stage holds Jody Sawyer (Amanda Schull), who may never be a great ballerina, but she's certainly one sexy jazz dancer. Then there's the arrogant genius (Ethan Stiefel), the dictatorial impresario (Peter Gallagher), the demanding instructor, the bulimic, the stage mother, etc. As we follow these characters, the message develops that one should let go and do what feels good. Jody may not be ballet material, but she scorches the stage when she's uninhibited. And that's really the fun of this movie, which is never seriously interested in ballet to begin with. One ludicrous scene depicts one of the dancers quitting because she realizes she never wanted to be a dancer to begin with but was pushed into it by her overbearing mother. [+]

Star Wars meets A Wrinkle in Time in this dimension-hopping adventure of an intergalactic war and one unassuming young man who holds the key to dimensional travel, a legacy of his mysterious adventurer father. Boyish Josh Charles is the lucky Luke Skywalker stand-in, a good-natured underachiever shocked out of his lovelorn moping when gorgeous guerrilla fighter Andrea Roth takes the battle to his bedroom. Rutger Hauer is the coffee-chugging freedom fighter roused from retirement to fill out the trio and face dimensional mob boss Stuart Wilson to settle the fate of the universe. This obviously low- budget picture makes the most of limited special effects and striking settings-notably an elevator ride that turns into a free-floating mind-game hanging in space and a knockdown, drag-out finale that sends our hapless hero popping up all over the universe. Hauer makes for a surprisingly charismatic mercenary turned father figure and Charles turns out to be modestly charming, once he loses the smart-ass wisecracks. Though it reaches for a scope that's beyond its means, it remains an entertaining bit of sci-fi fluff. -Sean Axmaker.

When Brandon Teena, a young man with an infectious, aw-shucks grin and an angelic face that's all angles, wanders into Falls City, Nebraska, he takes to the town like it's a second skin. In little time he's fallen in with a gang of goofy if temperamental redneck boys, found himself a girlfriend, and befriended enough people to form something of a small family. In fact, it's the best time Brandon's ever had. However, there are shadows looming over Brandon's life: a court date for grand theft auto, a checkered criminal record, and a seemingly innocuous speeding ticket that could prove to be his undoing. Why? Because as it turns out, Brandon Teena is actually Teena Brandon, a woman masquerading as a man. This fascinating story was based on real-life events (as documented in The Brandon Teena Story) that occurred in 1993 and ended in tragedy: Brandon's rape and murder by two of his supposed friends. Despite this horrible outcome, however, in the hands of director Kimberly Peirce (who cowrote the unfettered screenplay with Andy Bienen), Brandon's story becomes not oppressive or preachy, but rather oddly and touchingly transcendent, anchored by Hilary Swank's phenomenal, unsentimental performance. Swank inhabits Brandon's contradictions and passions with a natural vitality most actresses would refuse to give themselves over to. Brandon's deception is doomed from the start, but Swank's enthusiasm is infectious, and when Brandon starts romancing the sloe-eyed Lana (a pitch-perfect Chloë Sevigny), he finds a soul mate who wants to transcend boundaries and fated identities as much as he does. The last part of the film, when Brandon's true identity is discovered, is truly painful to watch, but in between the agony there are touching moments of sweetness between Brandon and Lana, who wrestles with the truth of who Brandon actually is. [+]

Truly Madly Deeply is an intelligent, moving, and deeply funny story about love and death. Nina (Juliet Stevenson), a scatterbrained professional translator, has lost the love of her life, Jamie (Die Hard's Alan Rickman). As her life (and her flat) slowly falls to pieces, she's inundated by an endless stream of repair men and eligible suitors. But rather than go on with life, Nina dwells on her dead love, slumped at her piano, endlessly playing half of a Bach duet. Then, in a truly magical sequence, his cello suddenly joins her melody. and Jamie's back from the dead. At first it's bliss. (Think of the superficially similar blockbuster Ghost-only with real people instead of pretty faces Demi Moore and Patrick Swayze. [+]