Inspired casting puts sparks in this comedy of counterculture clash between an aging 1960s radical and a buttoned-down FBI agent. Dennis Hopper plays an Abbie Hoffman-esque sixties activist and prankster who lands in the custody of a conservative young agent (a suitably uptight Kiefer Sutherland) and proceeds to literally unravel the agent's carefully constructed front through a series of slippery mind games. Hopper has a blast as the unreformed sixties relic, and Carol Kane is delightful as a hippie holdout who puts both men back in touch with their identities. There are few surprises, plenty of heart, and even a little sentiment in this story of rebellion and the legacy of the counterculture. The soundtrack is gilded with well-chosen 1960s anthems. -Sean Axmaker.

Bruce Lee died after shooting only a few scenes of his ambitious Game of Death, but that didn't stop greedy producers from finishing and releasing "Lee's last film," even if he's doubled for most of it. Lee planned an ambitious expression of his fighting philosophy, and his story culminates in the rigorous challenge of the "Game of Death," in which combatants take on successively greater and greater masters as they fight their way to the top of a tower. Only a few fight scenes were completed, and the released film is about a martial arts movie star who takes on a syndicate of drug dealers. Lee faces down the towering Kareem Abdul-Jabbar in an impressive battle, one of the only surviving scenes from Lee's original shoot, while outtakes from his battle with Chuck Norris in Return of the Dragon are used along with real-life footage from Lee's funeral. The rest of the film is a mishmash of car chases and clumsily edited fights, complete with awkward inserts of Lee's face. His double remains hidden behind a pair of dark glasses or a motorcycle helmet throughout, and he abruptly changes into a yellow jumpsuit for no reason other than to match Lee's costume in the final scene. -Sean Axmaker.

Marcel Camus's 1959 update of the Greek myth features an all-black cast and a story set in the frenetic energy of Carnival in Rio de Janeiro. Orpheus, a trolley car conductor and superb samba dancer, is engaged to Mira but in love with Eurydice. For his change of heart, Orpheus and his new doomed lover are pursued by a vengeful Mira and a determined Death through the feverish Carnival night. Camus at once demystifies and remystifies the old story, shifting not only its location but its tone and context, forcing a reevaluation of the legend as a more passionate, pulsing, sensual experience. The film is really one-of-a-kind, an absolute whirl that barely needs words. -Tom Keogh.