This action-packed chase film is ranked with Hitchcock's great British thrillers. When an ex-spy takes a low-profile job in the country, he finds that dangerous work continues to pursue him. He becomes embroiled in a murder mystery and goes "underground" with a beautiful suspect. The fugitives stay one step ahead of the police until the breathless climax.

This pair of Joe Solomon-produced biker dramas are two of the better examples of the '60s subgenre. Jack Nicholson stars in Hell's Angels on Wheels as a moody cycle-riding gas station attendant adopted by Adam Roarke's gang when he jumps into a friendly bar fight. It's a fairly blatant rip-off of Roger Corman's The Wild Angels, but director Richard Rush (who next teamed up with Nicholson for the counterculture classic Psych-Out) offers up a lifestyle that's less nihilistic than simply meaningless and winds the unlikely friendship between restless Nicholson and rootless Roarke into an inevitable clash over basic philosophical differences (namely, Jack wants Adam's girl, and Adam wants Jack to kowtow to his leadership). William Smith is an unusual hero in Run Angel Run: he's a sellout on the run from vengeful biker clubs up and down the coast. Director Jack Starrett, a former actor in biker movies himself (Hell's Angels on Wheels, among others), creates a taut little picture highlighted by impressive stunts (Smith jumps onto the flat car of a moving train). Smith's brooding, taciturn performance mellows when he takes a job on a rural sheep farm and connects with a career farmer who used to be a barnstorming biker in the 1950s. "I gotta be free man, I gotta fly," confesses Angel, but at what price? Both pictures were cheaply made for quick playoff, but there's an interesting attempt to explore the tension between the thrill of the road and the hollow activity passing for freedom. The set comes in a cool-looking 8 by 12 tin storage container, but the tapes do not have separate video sleeves. -Sean Axmaker.

World War II drama about a Quaker naval officer. At first he is reluctant to take part in the wartime activities because of his beliefs. But the officer eventually makes up for this by leading a perilous mission that takes him into the thick of things.

John F. Kennedy lived long enough to see this Hollywood account of his Navy career and his heroism following a ruthless attack by a Japanese ship on his small patrol craft. Cliff Robertson is an amiable choice to play Kennedy, though one won't find a lot of the late president's mannerisms in his performance. The key battle sequence, which finds Kennedy and his crew bloodied and battered while trying to stay alive in shark-infested waters, makes a big impression on young viewers. -Tom Keogh.