If one were to gather the hundreds of books written about Ludwig van Beethoven, sift through each with a fine-tooth comb, and extract every simple mistake, wild speculation, and outright falsehood, the result would still be nowhere near as fabulous and artificial as this 1936 biopic, which rewrites the composer's life story into a throbbingly melodramatic tale of genius ignored and love unrequited. Director Abel Gance, best known for his expansive silent classic Napoleon, wasn't interested in the truth of Beethoven's life, but instead the romantic ideal of a great man tormented by history; Gance's Beethoven is merely a variation of the filmmaker's beloved Bonaparte, triumphant yet scorned by his inferiors in the artistic realm rather than the political. (Needless to say, among the film's many omissions is Beethoven's bitter rededication of the "Eroica" Symphony. ) Beginning where every portrait of Beethoven the man must, with the identification of the Immortal Beloved, the film nominates (wrongly) Giulietta Gallenberg, née Guicciardi, reconstructing their brief passion as a lifelong obsession. During each of Beethoven's struggles-with love, poverty, deafness-thunder cracks against the sky and the opening notes of the Fifth burst onto the soundtrack to punctuate the action. Meet the film on its own novelette-like terms, however, and it can be quite moving, not least for the magnificent presence of Harry Baur in the lead, who captures to perfection the tortured nobility the film foists upon its protagonist. Baur's conception is as outsized as Gance's, but also gentler and less sentimental; he humanizes what could have been a treacly salute to a marble statue. An unusual final credit places the actor's name alongside the director's, a touching admission by Gance at how indebted his film was to its star. -Bruce Reid The silent epic and international cinema legend Abel Gance is most celebrated for his sweeping and pioneering biography masterpiece "Napoleon. " But this touching and tortured document of the legendary Beethoven's creative genius deserves equal tribute and attention. [+]

Jean-Luc Godard's most recent filmic adventure into the past and future of cinema is. JLG/JLG. Godard stars in JLG/JLG as a fictional character of his own creation musing about in his home in Rolle, Switzerland. In the dead of winter, he suffers the rude interruption of criticcs and the cheeky services of a pretty maid, while contemplating the end of western culture, cinema and his own mortality. A busy day. but still with time for tragedy, tennis and television.

1 copy of each of the following: Intermezzo (FLV1437), June NIght (FLV1438), Only One Night (FLV1439), Dollar (FLV1440), A Woman's Face (FLV1441) and Walpurgis Night (FLV1442) shrink-wrapped together.

La Belle Noiseuse is a thrilling and unconventional drama about the responsibility of an artist to his vision and the conflicts that arise when such responsibility is perceived as a threat to others. Michel Piccoli (Le Doulos) delivers one of his finest, most lived-in performances as Edouard Frenhofer, a famous painter living with his artist wife Liz (Jane Birkin) on a spacious estate in the French countryside. Frenhofer has lacked inspiration for a decade and has given up on painting. The idea behind his unfinished masterpiece, La Belle Noiseuse ("The Beautiful Troublemaker"), has been seemingly unattainable for a decade; Liz was the original model for it, and Frenhofer's exhaustion with the project has an emotional parallel to his dispassionate relationship with her. Along comes a rising artist, Nicolas (David Bursztein), who suggests that his girlfriend, Marianne (Emmanuelle Béart), a writer, could help Frenhofer jumpstart the painting's completion. From this point, most of La Belle Noiseuse becomes a remarkable, seemingly unedited and privileged look at the development of a bond between artist and muse. Béart, fiercely brilliant, spends the majority of the film nude and continually molded into sometimes-painful positions as Frenhofer struggles-sketch after sketch, paint upon paint-to find something beyond the obviousness of Marianne's body. As the two struggle to meet each other halfway, Liz and Nicolas feel marginalized and jealous, putting pressure on Frenhofer to disregard such personal concerns or give in to them. Adapted by French New Wave master Jacques Rivette from a story by Honore de Balzac, the lengthy La Belle Noiseuse is fascinated by the artistic process; it is itself a patient process of watching ideas and aesthetic courage reveal themselves in the face of extraneous aversion. -Tom Keogh.

This wonderfully eerie film is based on three mysteries by Somerset Maugham, Roderick Wilkinson, and Brett Halliday. In the first tale, a doomed museum guard is magically transported into his favorite painting. In the second, two friends fall in love with the same woman, who is suddenly killed. The dramatic finale stars Orson Welles as a statesman driven mad by guilt after he destroys his political rival.

A slight but appealing dramatic comedy, My Wife Is an Actress explores the marital downside of fame. It's about the hazards of being married to someone-in this case the fine French actress Charlotte Gainsbourg, playing a fictionalized version of herself, also named Charlotte-whose profession and celebrity pose a constant threat to matrimonial harmony. The movie dispels the fantasy of a movie-star spouse (i. e. , would you really want to marry Julia Roberts?), exploring the reality with adequate humor but precious little insight. Gainsbourg's actual husband, Yvan Attal, is also her director and costar, playing Charlotte's sports-reporter husband (named Yvan), and turning jealous when she gets friendly with her current film's costar, played with world-weary charm by Terence Stamp. Surely this scenario was fascinating for French filmgoers, and as lightweight drama it's a pleasant enough diversion. Unfortunately, Attal discreetly avoids the deeper details of his life. Instead we get the shallow version, still authentic but not authentic enough. -Jeff Shannon.

Childrenchr(39)s tale of a poor tailor and a jealous cat.