More ambitious in scope than any of its other animated films (before or to come), Disney's 1940 Fantasia was a dizzying, magical, and highly enjoyable marriage of classical music and animated images. Fantasia 2000 features some breathtaking animation and storytelling, and in a few spots soars to wonderful high points, but it still more often than not has the feel of walking in its predecessor's footsteps as opposed to creating its own path. A family of whales swimming and soaring to Respighi's The Pines of Rome is magical to watch, but ends all too soon; a forest sprite's dance of life, death, and rebirth to Stravinsky's The Rite of Spring too clearly echoes the original Fantasia's Night on Bald Mountain/Ave Maria sequence. But when it's on target, Fantasia 2000 is glorious enough to make you giddy. Hans Christian Andersen's "The Steadfast Tin Soldier" is a perfect narrative set to Shostakovich's Piano Concerto No. 2, and Donald Duck's guest appearance as the assistant to Noah (of ark fame) set to Elgar's Pomp and Circumstance marches is a welcome companion piece (though not an equal) to The Sorcerer's Apprentice, the one original Fantasia piece included here. The high point of Fantasia 2000, though, is a fantastic day-in-the-life sequence of 1930s New York City set to Gershwin's Rhapsody in Blue and animated in the style of cartoonist Al Hirschfeld; it's a perfect melding of music, story, and animation. Let's hope future Fantasias (reportedly in the works) take a cue from the best of this compilation. The music is provided by the Chicago Symphony Orchestra, conducted by James Levine, interspersed with negligible intros by Steve Martin, Bette Midler, Itzhak Perlman, James Earl Jones, and others. -Mark Englehart.

This is another collection of Disney shorts set to music, but this time the formula works. That's predicated on the inherent strength of the individual pieces and almost all of them come through. Surprisingly, two American folk heroes, Johnny Appleseed and Pecos Bill, are the stars of this show, with rousty little tunes, humor, and compelling linear story lines (a rarity in most of these shorts). Even the shorts that are weak in one area, thematically or musically, make up for it in another. There's very little of the Disney animators attempting to be 1940s modern, thank goodness, and there's a sterling quality in the depth of the art work. A definite plus to an animation (or Disney) collection. -Keith Simanton.

This sci-fi road journey is set in the near future (1999-six years after the film was initially released). Human civilization has been devastated by a mysterious wind that erased everyone's memories-even the basics of language and self-care that real amnesia doesn't affect. Their minds wiped clean, the survivors haunt the ruined cities, scavenging for food. Wateru ("traveler" in Japanese), whose mind was laboriously restored by a survivor at a government research facility, wanders through America in a jeep, trying to bring knowledge to people. In San Francisco, he meets Sophia, a mysterious woman with unexplained powers; she joins him on a journey to New York that turns into a transcontinental escape from a murderous and seemingly indestructible robot. Along the way, they encounter the members of a cult that worships an enormous wrecking machine, and two puppetlike survivors in an fully mechanized city. Wateru struggles to fulfill his mission to start people on the long journey back to civilization, but he often has to rely on Sophia's extraordinary powers of communication. A Wind Called Amnesia is more thoughtful and less violent than most anime features; unfortunately, it ends on a weak, unsatisfying note. Rating: 16 and older for animated sex and some violence. -Charles Solomon.