The skillful blending of drawn animation and computer-generated imagery excited anime fans when this science fiction mystery was released in 1995: many enthusiasts believe Ghost suggests what the future of anime will be, at least in the short term. The film is set in the not-too-distant future, when an unnamed government uses lifelike cyborgs or "enhanced" humans for undercover work. One of the key cyborgs is The Major, Motoko Kusanagi, who resembles a cross between The Terminator and a Playboy centerfold. She finds herself caught up in a tangled web of espionage and counterespionage as she searches for the mysterious superhacker known as "The Puppet Master. " Mamoru Oshii directs with a staccato rhythm, alternating sequences of rapid-fire action (car chases, gun battles, explosions) with static dialogue scenes that allow the characters to sort out the vaguely mystical and rather convoluted plot. Kusanagi's final quote from I Corinthians suggests that electronic evolution may compliment and eventually supplant organic evolution. The minor nudity, profanity, and considerable violence would earn Ghost in the Shell at least a PG rating. -Charles Solomon.

From the moment that Prince Eric's ship emerged from the fog in the opening credits it was apparent that Disney had somehow, suddenly recaptured that "magic" that had been dormant for thirty years. In the tale of a headstrong young mermaid who yearns to "spend a day, warm on the sand," Ariel trades her voice to Ursula, the Sea Witch (classically voiced by Pat Carroll), for a pair of legs. Ariel can only succeed if she receives true love's kiss in a few day's time and she needs all the help she can from a singing crab named Sebastian, a loudmouth seagull, and a flounder. The lyrics and music by Howard Ashman and Alan Menken are top form: witty and relevant, and they advance the story (go on, hum a few bars of "Under the Sea"). Mermaid put animation back on the studio's "to do" list and was responsible for ushering Beauty and the Beast to theaters. A modern Disney classic. -Keith Simanton.

Spinning a yarn that begins where the 30-year-old original concluded, Charlotte's Web 2: Wilbur's Great Adventure returns to Zuckerman's farm for more endearing pig tales. Faint-hearted Wilbur preserves his dear friend Charlotte's memory by befriending the lone black sheep of the farm. When a trip to the county fair separates the comrades, Wilbur musters his courage to find his frightened woolly pal. Along the way, a sticky encounter with a beehive leaves Wonder Pig looking more like Feral Pig. and suddenly Wilbur is to blame for a hungry fox's doings. Charlotte's three sprightly daughters save the day, despite amateur weaving abilities. Preserving the quiet pace and beautiful watercolor look of the original, this animated 75-minute show should appeal to new fans. But adults who fondly recall many bittersweet moments shared by Charlotte and Wilbur, and timeless songs like "Mother Earth and Father Time," might feel slightly cheated. [+]

One of the brightest nuggets from Disney's golden age, this 1937 film is almost dizzying in its meticulous construction of an enchanted world, with scores of major and minor characters (including fauna and fowl), each with a distinct identity. When you watch Snow White's intricate, graceful movements of fingers, arms, and head all in one shot, it is not the technical brilliance of Disney's artists that leaps out at you, but the very spirit of her engaging, girl-woman character. When the wicked queen's poisoned apple turns from killer green to rose red, the effect of knowing something so beautiful can be so terrible is absolutely elemental, so pure it forces one to surrender to the horror of it. Based on the Grimm fairy tale, Snow White is probably the best family film ever to deal, in mythic terms, with the psychological foundation for growing up. It's a crowning achievement and should not be missed. -Tom Keogh.

Disney's 1992 animated feature is a triumph of wit and skill. The high-tech artwork and graphics look great, the characters are strong, the familiar story is nicely augmented with an interesting villain (Jafar, voiced by Jonathan Freeman), and there's an incredible hook atop the whole thing: Robin Williams's frantically hilarious vocal performance as Aladdin's genie. Even if one isn't particularly moved by the love story between the title character (Scott Weinger) and his girlfriend Jasmine (Linda Larkin), you can easily get lost in Williams's improvisational energy and the equally entertaining performances of Freeman and Gilbert Gottfried (as Jafar's parrot). -Tom Keogh.

The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well. ) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy. -David Kronke -This text refers to an out of print or unavailable edition of this title.

These OAVs were among the first Japanese series released as such in the U. S. and are remembered fondly by fans. An early example of cyberpunk that borrows heavily from Blade Runner and Robocop, Bubblegum Crisis depicts the adventures of the female vigilante group the Knight Sabers. In form-fitting, high-heeled mecha suits, Sylia, Priss, Linna, and Nene fight the rogue cyborgs of the sinister Genom Corporation in MegaTokyo, 2032. Sylia's brother Mackie, and A. D. Cop Leon, Priss's long-suffering suitor, assist them. The first three episodes (1987) form a single continuity; "Revenge Road" (1988) depicts a battle between an embittered man and a motorcycle gang. "Moonlight Rambler" (1988) and "Red Eyes" (1989) pit the Saber Knights against vampire cyborgs prowling MegaTokyo. [+]

This Disney masterpiece from 1940 will hold up forever precisely because it doesn't restrain or temper the most elemental emotions and themes germane to its story. Based on the Collodi tale about a wooden puppet who wants to become a real boy, Pinocchio is among the most magical, mythical, and frightening films to come from the studio in its long history. A number of scenes make permanent impressions on young minds (just ask Steven Spielberg, who quoted the film more than once in Close Encounters of the Third Kind), and the songs ("When You Wish upon a Star") can't be beat. -Tom Keogh.

These OAVs were among the first Japanese series released as such in the U. S. and are remembered fondly by fans. An early example of cyberpunk that borrows heavily from Blade Runner and Robocop, Bubblegum Crisis depicts the adventures of the female vigilante group the Knight Sabers. In form-fitting, high-heeled mecha suits, Sylia, Priss, Linna, and Nene fight the rogue cyborgs of the sinister Genom Corporation in MegaTokyo, 2032. Sylia's brother Mackie, and A. D. Cop Leon, Priss's long-suffering suitor, assist them. The first three episodes (1987) form a single continuity; "Revenge Road" (1988) depicts a battle between an embittered man and a motorcycle gang. "Moonlight Rambler" (1988) and "Red Eyes" (1989) pit the Saber Knights against vampire cyborgs prowling MegaTokyo. [+]

Many anime fans acclaim writer-director Hiroyuki Yamaga's Wings of Honneamise as a masterpiece, but general audiences may react less enthusiastically. Honneamise is a small country in a parallel world very similar to Earth. Shiro Lhadatt, the least impressive cadet in the air force flight school, volunteers to become the first astronaut in a controversial space program. Training toughens his body, while the priggish evangelist Riqunni challenges him to discipline his spirit. In one distasteful sequence, Shiro attempts to rape her. The next morning he starts to apologize, only to have her apologize for braining him with a candlestick, a scene certain to infuriate feminists. Despite an invasion by a hostile country, Shiro gets into space and delivers a ponderous homily from his capsule. Wings was made by a group of young artists in 1987, and with a record- setting budget. Art director Hiromasa Ogura's lavish designs blend '80s high-tech with art nouveau, and Yamaga's leaden pacing gives viewers the time to study every detail. Fans of Honneamise acclaim it as a critical meditation on the illusions and follies of the human race, which suggests that profundity, like beauty, is in the eye of the beholder. [+]

This 1988 animated feature from Don Bluth (An American Tail) focuses on an orphaned young dinosaur, Littlefoot, who has to make his way to the paradise of the Great Valley in order to survive a plague. Along the way, he meets up with some other dinos from different species, and they all bond and travel together. On the way, they have plenty of adventures. Even with elements of suspense, this is a pretty relaxed movie that isn't in a particular hurry to roll out its story. Kids will like the originality of the concept, and the themes of friendship and cooperation are well woven into the fabric of the entertainment, plus the music is great. Bluth's artwork looks good, though-as always-he never seems to quite catch up with the quality of the Disney machine. -Tom Keogh.