This epic, animated 1997 fantasy has already made history as the top-grossing domestic feature ever released in Japan, where its combination of mythic themes, mystical forces, and ravishing visuals tapped deeply into cultural identity and contemporary, ecological anxieties. For international animation and anime fans, Princess Mononoke represents an auspicious next step for its revered creator, Hayao Miyazaki (My Neighbor Totoro, Kiki's Delivery Service), an acknowledged anime pioneer, whose painterly style, vivid character design, and stylized approach to storytelling take ambitious, evolutionary steps here. Set in medieval Japan, Miyazaki's original story envisions a struggle between nature and man. The march of technology, embodied in the dark iron forges of the ambitious Tatara clan, threatens the natural forces explicit in the benevolent Great God of the Forest and the wide-eyed, spectral spirits he protects. When Ashitaka, a young warrior from a remote, and endangered, village clan, kills a ravenous, boar-like monster, he discovers the beast is in fact an infectious "demon god," transformed by human anger. Ashitaka's quest to solve the beast's fatal curse brings him into the midst of human political intrigues as well as the more crucial battle between man and nature. Miyazaki's convoluted fable is clearly not the stuff of kiddie matinees, nor is the often graphic violence depicted during the battles that ensue. If some younger viewers (or less attentive older ones) will wish for a diagram to sort out the players, Miyazaki's atmospheric world and its lush visual design are reasons enough to watch. For the English-language version, Miramax assembled an impressive vocal cast including Gillian Anderson, Billy Crudup (as Ashitaka), Claire Danes (as San), Minnie Driver (as Lady Eboshi), Billy Bob Thornton, and Jada Pinkett Smith. They bring added nuance to a very different kind of magic kingdom. [+]

Not an ideal choice for younger kids, this hip and violent animated feature from Disney was nevertheless a huge smash in theaters and on video, and it continues to enjoy life in an acclaimed Broadway production. The story finds a lion cub, son of a king, sent into exile after his father is sabotaged by a rivalrous uncle. The little hero finds his way into the "circle of life" with some new friends and eventually comes back to reclaim his proper place. Characters are very strong, vocal performances by the likes of Jeremy Irons, Nathan Lane, and Whoopi Goldberg are terrific, the jokes are aimed as much (if not more) at adults than kids, the animation is sometimes breathtaking, and the music is more palatable than in many Disney features. But be cautious: this is too intense for the Rugrat crowd. -Tom Keogh Anybody who struts around with Simba's hard-won authority deserves this royal DVD read-along from Disney. Kids can recoil at Uncle Scar's dastardly deeds en español and discover that "hakuna matata" sounds pretty much the same in Spanish, French, Italian, or German. And should the dynamic storytelling fail to thrill your 4- to 12-year-old fan, a flurry of other interactive options await. Toggle to "Songs" for sing-along renditions of movie hits, including "I Just Can't Wait to Be King," and on to "Music Videos," where Elton John roars soundtrack favorites "Circle of Life" and "Can You Feel the Love Tonight" and Jimmy Cliff and Lebo M groove to "Hakuna Matata. " The "Vocabulary" feature allows for see-and-say mastery of a list of wildlife, while the "Game" section allows players to match paw and hoof prints to the proper beast and reassemble the scattered skeletal remains of an elephant. [+]

Disney sets a record for bringing out a direct-to-video sequel after the initial film. Stitch: The Movie arrives only a year after the enjoyable Lilo & Stitch played theaters and reunites the title character (otherwise known as Experiment 626) with his earth-bound family in the warm Hawaiian sun. The story has a nice set-up: since Stitch is Experiment 626, where are the first 625 invented by Dr. Jumba Jookiba? Odds are the island paradise will soon be spaceport central for many more aliens. As with other made-for-video Disney titles, the animation is not as complex or rich. This hurts this sequel even more since the original film had such a unique, pastel beauty. Unfortunately, the other elements of the film are just as flat. Even though most of the original voice cast returns, the entire production lacks the same spirit and charm, and the story's theme is recycled (get ready for more "Ohana means family"). On the plus side, the film starts with an Elvis Presley song ("Slicin' Sand") and is only 64 minutes long. The movie sets up the Disney TV series The Adventures of Lilo & Stitch. [+]

This 1939 animated film is based on Jonathan Swift's classic novel about a sailor stranded on an island populated by people the size of his thumb. When Gabby, the town crier, discovers Gulliver on the beach, he runs to tell the king. But the king is preoccupied with the impending wedding of his daughter, Princess Gloria, to Prince David from the neighboring kingdom. When the kingdoms can't agree on which song to play at the wedding, Gulliver is caught in the middle of a war. His common sense helps the two sides resolve their dispute, but not before a lot of adventure and romance. A milestone in the art of animation, this was the second animated motion picture of its magnitude ever produced, after Snow White and the Seven Dwarfs. It has been digitally mastered and visually enhanced, making it first-rate family entertainment even today. -Elisabeth Keating.

Disney's Recess: School's Out dipped in and out of theaters faster than fans of the cable TV show could snap their lunch boxes shut-kind of nice for parents whose idea of grown-up detention is sitting through such fly-by-night kiddie features. Now that home screenings are an option, though, plan for the ages 5-and-older set to settle in for reruns. Also plan to get sucked in yourself-if the screwball plot doesn't do it, the soundtrack will. While TJ and Principal Prickly (the latter the unfortunate bearer of the "saggy butt" that becomes this movie's clunkiest running gag) bust in on a crew of fiendish would-be teachers during summer break, slices of vintage grooviness-Steppenwolf's "Born to be Wild," Strawberry Alarm Clock's "Incense and Peppermints," and Robert Goulet's "Green Tambourine" among them-get you cheering along, whether you're 3 or 43. The reason for all the retro funkiness revolves around the chief bad guy, Phil Benedict, a one-time educational visionary and former Prickly schoolmate. Back in the day, Benedict was a radical school revolutionary, but his manifesto for better test scores misfired when it called for a ban on recess, a concept so barbaric it got him canned from a cushy government job. Now, undeterred in his mission to make life miserable for kids, he's hatching a switcheroo scheme that will forever pull the shade on summer and thus summer vacation. Predictably, right at trigger time, TJ, Prickly, and the gang roar in to the rescue. It's an ending that's as pat as any on the TV show, but so what-this is a movie that aims for summer-linen lightness. Just as the Fifth Dimension promise on the soundtrack, it lets the sunshine, as well as a few well-timed chuckles, in. [+]

In the first of these two animated adaptations, both gently narrated by Vanessa Redgrave, Moley, Mr. Toad, and the rest of the right, proper riverbank battalion are portrayed tastefully, wittily, and with charm by the bucketsful. True to the tale, Mole abandons his modest home in favor of an apprenticeship on the ways of the river alongside knowledgeable Rat; Toad's enthusiasm for motorcars earns him a 20-year sentence; and young Portly the otter goes missing, giving everyone a scare. The lushness of Kenneth Grahame's writing is preserved throughout-those enchanted by the classic kids' story needn't be wary of memory muddling. Next up is the sequel, usually a letdown, but here a thrilling (though less literary) ride. If The Wind in the Willows tugs viewers through the river reeds with its graceful, enchanting words, The Willows in Winter hurtles them along with its bumpy adventures, all linked to the restless, irascible Toad. This time, the wily bugger takes to the skies in a search for Moley, who's lost in a river-swelling winter storm. Along the way he loops-the-loop one time too many, sending passenger Ratty tumbling. Then there's the small matter that he swiped the plane he's piloting, an offense punishable by a lengthy prison sentence. Well-connected, formidable Badger bails him out, but a lesson on humility awaits the shifty amphibian back at Toad Hall. [+]