One of the brightest nuggets from Disney's golden age, this 1937 film is almost dizzying in its meticulous construction of an enchanted world, with scores of major and minor characters (including fauna and fowl), each with a distinct identity. When you watch Snow White's intricate, graceful movements of fingers, arms, and head all in one shot, it is not the technical brilliance of Disney's artists that leaps out at you, but the very spirit of her engaging, girl-woman character. When the wicked queen's poisoned apple turns from killer green to rose red, the effect of knowing something so beautiful can be so terrible is absolutely elemental, so pure it forces one to surrender to the horror of it. Based on the Grimm fairy tale, Snow White is probably the best family film ever to deal, in mythic terms, with the psychological foundation for growing up. It's a crowning achievement and should not be missed. -Tom Keogh.

Hayao Miyazaki gained widespread attention in Japan for his complex ecological manga series, Nausicaä of the Valley of the Wind (1982), which he adapted for the screen two years later. One thousand years after a war devastated much of the Earth, humanity clings to existence at the fringes of a vast, polluted forest inhabited by monstrous insects. Only Nausicaä, the princess of the tiny realm of the Valley of the Wind, grasps the environmental significance of the forest. She sees beyond petty wars and national rivalries to the only viable future for the planet. In Nausicaä, Miyazaki began to explore elements he would develop more fully in his later films: daring, compassionate heroines; exciting flying sequences; colorful side characters; strong interpersonal relationships; and a call for an ecologically sustainable way of life. Nausicaä prefigures Sheeta in Castle in the Sky and Chihiro in Spirited Away, just as the rough and ready Asbel anticipates Pazu in Castle in the Sky and Ashitaka in Princess Mononoke. For years, Nausicaä was available in the United States only as the badly re-edited Warriors of the Wind. The new English dub from Disney presents the film in its entirety, with strong vocal performances by Uma Thurman, Patrick Stewart, Alison Lohman, and Edward James Olmos. (Rated PG: violence, frightening imagery) -Charles Solomon.

Since the first chapters debuted as a direct-to-video release in 1990, this sprawling sword-and-sorcery epic has delighted fantasy fans with its ancient prophecies, lost kingdoms, enchanted swords, dragons, and wizards. The tangled story line borrows heavily from The Lord of the Rings, the Star Wars films, and numerous other fantasy works. Six mismatched characters find themselves thrown together to protect the land of Lodoss from imminent destruction: Parn is the impetuous young warrior with heroic potential who typifies the genre; in place of the usual spunky girl, there's Deedlit, an elf with magical powers. They're joined by Etoh, a young priest and healer; Ghim, a dwarf-warrior with a heavy heart; Slayn, a wizard in training; and the rascally thief Woodchuck. Their allies include the dashing lord of a desert realm, a mercenary and her Berserker companion, and a benevolent, Arthurian king. They're pitted against an array of villains that includes human warriors, an evil sorcerer, dragons, kobolds, zombies, and Karla, the mysterious "Gray Witch" [sic]. An elegant art nouveau sensibility runs through the designs of Lodoss War, especially the extravagant armor of the warriors. But the film lacks a coherent plot, probably the result of producing so much animation in a short time with multiple directors. Characters are forever dropping in and out of the story: the initial villain, the evil emperor Beld, is replaced by his henchman, Ashram, who is superseded by the dark sorcerer, Wagnard. The last three episodes build to a titanic climax that leaves a lot of plot points unresolved. [+]

What can two little mice possibly do to save an orphan girl who's fallen into evil hands? With a little cooperation and faith in oneself, anything is possible! As members of the mouse-run International Rescue Aid Society, Bernard and Miss Bianca respond to orphan Penny's call for help. The two mice search for clues and, with the help of an old cat named Rufus, track Penny to the clutches of the evil Madame Medusa in a dilapidated ship in Devil's Bayou. It turns out that Medusa is using Penny to locate and retrieve the Devil's Eye Diamond-a stone she'll stop at nothing to possess. With a cunning plan, courageous acts, cooperation from local animal life, and lots of faith, Bernard and Miss Bianca help Penny find the diamond and escape from Medusa. The result of their adventure is that Bernard and Miss Bianca become close friends and Penny gets adopted. This somewhat dark, classic 1977 animated Disney film is based on Margery Sharp's The Rescuers and Miss Bianca, and features the Academy Award-nominated song "Someone's Waiting for You. " Voice talents include Eva Gabor as Miss Bianca, Bob Newhart as Bernard, Geraldine Page as Madame Medusa, and Jim Jordan (radio's Fibber McGee) as Orville Albatross. Followed by the sequel The Rescuers Down Under. (Ages 5 to 11) -Tami Horiuchi.