This stylish science fiction detective story bears the stamp of director Mamoru Oshii (Ghost in the Shell). "Labors" are gigantic robots used for everything from construction work to law enforcement, but a massive land reclamation project in Tokyo Bay is threatened by robots going on unexplained rampages. Patlabor cops Noah Izumi and Azuma Shinohara are called in to investigate, and soon find themselves trying to decipher the apocalyptic visions of E. Hoba, who wrote the operating system for the Labor robots and then committed suicide. Hoba introduced a virus into the software that could affect robots all over world and cause unparalleled destruction. In abandoned slum apartments and high-tech construction sites, he left clues about what he was doing-and why. But are Noah, Azuma, and their friends clever enough to second-guess a genius? And will their superior officers accept their conclusions? The first Patlabor feature has a darker tone and look than the previous OVA series. Oshii assumes the viewer already knows the characters, and doesn't bother introducing them. But this powerful tale of the dangers of over-reliance on technology is far superior to ordinary mecha features. The recent attacks of powerful computer viruses give the story an added relevance. [+]

The skillful blending of drawn animation and computer-generated imagery excited anime fans when this science fiction mystery was released in 1995: many enthusiasts believe Ghost suggests what the future of anime will be, at least in the short term. The film is set in the not-too-distant future, when an unnamed government uses lifelike cyborgs or "enhanced" humans for undercover work. One of the key cyborgs is The Major, Motoko Kusanagi, who resembles a cross between The Terminator and a Playboy centerfold. She finds herself caught up in a tangled web of espionage and counterespionage as she searches for the mysterious superhacker known as "The Puppet Master. " Mamoru Oshii directs with a staccato rhythm, alternating sequences of rapid-fire action (car chases, gun battles, explosions) with static dialogue scenes that allow the characters to sort out the vaguely mystical and rather convoluted plot. Kusanagi's final quote from I Corinthians suggests that electronic evolution may compliment and eventually supplant organic evolution. The minor nudity, profanity, and considerable violence would earn Ghost in the Shell at least a PG rating. -Charles Solomon.

The skillful blending of drawn animation and computer-generated imagery excited anime fans when this science fiction mystery was released in 1995: many enthusiasts believe Ghost suggests what the future of anime will be, at least in the short term. The film is set in the not-too-distant future, when an unnamed government uses lifelike cyborgs or "enhanced" humans for undercover work. One of the key cyborgs is The Major, Motoko Kusanagi, who resembles a cross between The Terminator and a Playboy centerfold. She finds herself caught up in a tangled web of espionage and counterespionage as she searches for the mysterious superhacker known as "The Puppet Master. " Mamoru Oshii directs with a staccato rhythm, alternating sequences of rapid-fire action (car chases, gun battles, explosions) with static dialogue scenes that allow the characters to sort out the vaguely mystical and rather convoluted plot. Kusanagi's final quote from I Corinthians suggests that electronic evolution may compliment and eventually supplant organic evolution. The minor nudity, profanity, and considerable violence would earn Ghost in the Shell at least a PG rating. -Charles Solomon.