Ilya also will come into contact with the "Little Falcon," a fearless young warrior who was kidnapped from his village as a child and raised by Kalin to be Ilyas enemy. Little does Ilya know that "The Falcon" is none other than his very own son! This exceptional film is crammed with epic battle scenes and special effects that are nothing short of magical. Dubbed in English. 83 minutes.

Tiger Shark, the most powerful nuclear sub in the fleet, is sent to investigate and uncovers an alien life form that threatens to wipe humans off the face of the earth. This 1959 low-budget sci-fi flick deals with "atomic power" as a menace-and protector-of mankind. The sets and special effects are definitely low-budget, but the filmmakers showed what you can do with a smart script, a solid cast of character actors, a dark soundstage, and some imagination. A veritable crossroads of '50s low-budget filmmaking talent: producer Alex Gordon cowrote Ed Wood's Bride of the Monster, special effects supervisor Irving Block cowrote the classic Forbidden Planet, and composer Alexander Laszlo was a regular on Roger Corman pictures. Includes the original theatrical trailer. -Geof Miller.

with super strength and an arsenal of robotic weapons. Operating from the Metropolitan International Police Headquarters, Tobor battles against Saucer Lips and other villains such as Armored Man, Baron Stormy, Dr. Spectra, the Satan Brothers, and the Intercrime spy ring. Still using the name "Peter Brady," Tobor keeps his identity a secret from everyone except Police Chief Fumblethumbs. In this volume: Dr. Spectra wants to learn Tobor's inner secrets by any means possible! Using an incredible array of weapons to accomplish his task, he manages to wipe Tobor's memory! Also includes the episodes Evil Jaw and the Devil Germs, Baron Stormy, Attack of the Horrible Honey Bees, and Pounce the Robot Tiger. Also includes Evil Jaw and the Devil Germs, Baron Stormy, Attack of the Horrible Honey Bees, and Pounce the Robot Tiger.

With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone-puzzling, provocative, and perfect. -Jeff Shannon When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion. ) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone-puzzling, provocative, and perfect. -Jeff Shannon.