Christmas is not a good time of year in the McClane family. Especially for John McClane, who always happens to be in the wrong place at the wrong time. But if it weren't for the heroics of this rugged, resourceful cop, many lives would be lost and megalomaniacal terrorists with various European accents would be having their evil way. In 1988, director John McTiernan and the phenomenal hit Die Hard introduced the world to maverick Sgt. John McClane (Bruce Willis) of the New York Police Department, and in the course of this film and two blockbuster sequels McClane was frantically saving lives, buildings, airports, schools, cities, and even his marriage from the threat of international terrorists, psychopaths, and cagey mercenaries. Now you can watch antihero McClane blast his way through all three movies. Witness his transition from a happy-go-lucky, slightly cranky cop to extremely burnt-out, partially alcoholic cop with a propensity to attract extreme violence and catastrophe. Yet the one thing that always overshadows his character flaws is his uncanny ability to spoil the schemes of stylish villains with slick names such as Hans Gruber (the nasty terrorist from the first film, played to perfection by Alan Rickman). Sit down, pop some corn, grab a bottle of Coca-Cola, and get ready to watch (in any order you please) the Die Hard Trilogy-a must for any action buff or fan of Bruce Willis, who owes his film career to the enduring appeal of these global box-office hits. -Jeremy Storey.

The lightest of the first three films, Lethal Weapon 3 finds everyone occupying comfortable positions like students who always choose to sit in the same classroom seats. Mel Gibson and Danny Glover return as LAPD partners whose working method consists of the former diving into danger and the latter holding back. (The sequence set in the parking garage of a building, in which Gibson inadvertently trips a switch that makes a timed explosive device speed up, is priceless. ) Joe Pesci once again plays a motor-mouth pest, and while the story is pretty much forgettable, it does introduce the best new dynamic in the series, a romance between Gibson and Rene Russo's equally tough but attractive cop. -Tom Keogh.

qui livrela marchanside dix fois sur dix? Samuel J. Jackson incarne a lui Seul Snaft.

Five-count 'em, five-chances to wallow in the shoot-first, ask-questions-later ethos of San Francisco cop Harry Callahan, who became a signature character for actor Clint Eastwood. The first one, Dirty Harry, is the best, a Don Siegel film in which Harry flouts rules about police brutality to capture a serial killer. In Magnum Force he tracks rogue cops and utters his "Do you feel lucky, punk?" speech. In The Enforcer he gets a female partner (future Cagney and Lacy star Tyne Daly). Sudden Impact featured him tracking a female serial killer and offered a new catch phrase: "Go ahead. Make my day. " And The Dead Pool, aside from offering a smart little chase involving a radio-controlled model car, brought him face to face with Liam Neeson. You can't ask for much more firepower in one box than this. -Marshall Fine.

Who's the baddest motherf****r to blow onto blaxploitation screens? Forget Shaft and just ask X-rated comic and "godfather of rap" Rudy Ray Moore. He'll give you the gospel of Dolemite. Street hustler, pimp, and all-around ghetto superhero Dolemite began life as a character in Moore's nightclub act and was a natural character for his self-financed film debut, a revenge tale set on the corrupt streets of L. A. Dolemite is sprung from prison by an impossibly understanding warden so he can find the drug-dealing, gun-smuggling crooks who framed him. With the help of his all-girl army of kung fu killers and the most flamboyant wardrobe this side of Cher, he lays waste to dozens of bad guys while spouting his funky raps. Thick, slow and sleepy, Moore is neither a natural actor not a convincing martial arts action hero, but his lazy line deliveries are great, lyrical cascades of four-letter words and "ghetto expressions," and he performs two of his most famous stand-up raps, "Shine and the Great Titanic" and "The Signifying Monkey. "Dolemite is not a particularly competent movie-the direction (by costar D'Urville Martin) is clumsy, the performances flat, and microphones peek in from time to time (get that video letterboxed, Xenon!)-but the outrageous mix of nightclub rap, kung-fu action, and Moore's four-letter dialogue turned it into an instant urban hit and has kept it alive as a cult classic. Dolemite returns in The Human Tornado. The DVD also features clips from the documentary The Legend of Dolemite and the complete lyrics to his raps. [+]

The series formula started to kick in with this immediate sequel to Lethal Weapon, but that doesn't necessarily make it a weak movie. Joe Pesci joins the fold, Richard Donner directs again, and Mel Gibson and Danny Glover return as LAPD partners, their relationship smoother now that Gibson's character has recovered from his maddening grief over his wife's death. But the reckless Mel and cautious Danny equation, good for a million laughs, settles into place in this story involving a South African smuggler and a new girlfriend (Patsy Kensit) for Gibson. The movie is hardly comfy, though. The last act gets nasty, and a climactic fight between Gibson (who gets the worst of it) and some high-kicking villain is ugly. -Tom Keogh.

As with Star Wars, the George Lucas-produced Indiana Jones trilogy was not just a plaything for kids but an act of nostalgic affection toward a lost phenomenon: the cliffhanging movie serials of the past. Episodic in structure and with fate hanging in the balance about every 10 minutes, the Jones features tapped into Lucas's extremely profitable Star Wars formula of modernizing the look and feel of an old, but popular, story model. Steven Spielberg directed all three films, which are set in the late 1930s and early '40s: the comic book-like Raiders of the Lost Ark, the spooky, Gunga Din-inspired Indiana Jones and the Temple of Doom, and the cautious but entertaining Indiana Jones and the Last Crusade. Fans and critics disagree over the order of preference, some even finding the middle movie nearly repugnant in its violence. (Pro-Temple of Doom people, on the other hand, believe that film to be the most disarmingly creative and emotionally effective of the trio. ) One thing's for sure: Harrison Ford's swaggering, two-fisted, self-effacing performance worked like a charm, and the art of cracking bullwhips was probably never quite the iconic activity it soon became after Raiders. Supporting players and costars were very much a part of the series, too-Karen Allen, Sean Connery (as Indy's dad), Kate Capshaw, Ke Huy Quan, Amrish Puri, Denholm Elliot, River Phoenix, and John Rhys-Davies among them. Years have passed since the last film (another is supposedly in the works), but emerging film buffs can have the same fun their predecessors did picking out numerous references to Hollywood classics and B-movies of the past. -Tom Keogh.

VHS set of 6 movies